Workshop

excerpts Chapter III: BUCHAREST-WALLACHIA (…) My advice to the fatigued traveler who arrives in Bucharest is to pay his first visit to the excellent Turkish baths which we were to try ourselves soon. These establishments, mostly situated in the quarter by the Dâmboviţa

Bucharest became the capital of Wallachia in the middle of the sixteenth century in preference to the earlier sub‑Carpathian capitals of Câmpulung, Curtea de Argeş and Târgovişte. It became the capital of the united Romanian principalities of Wallachia and Moldavia

Modernism has brought to paroxysm the need of personal mythologies, immanent to Western civilization. No wonder that some of the heroes and saints of the avant-garde came from those peripheral European territories still uncharted from a spiritual point of view. By the beginning

excerpts We want to see Brâncuşi. Do you know him? asked Florica. We're old friends. But he is ill, it's not easy to get an appointment. Anyway, let's try. On the same day, October the 13th, 1956, we met Colomba again at 'Les deux magots', among

from Don Juan CHAPTER VI Sometimes he would run into Tonia by chance. This is one way of putting it, because he often walked the streets close to her house, he went to a beer joint two corners away, sometimes he was in the park nearby speaking kindly, helping small groups

From The Procrustean Bed Add to these criteria of a physical nature the old preconceived idea of talent. As is known, talent is discovered thus: a boy or a girl, choking with stage fright, before a long table at which a commission are sitting, start declaiming Gens Latina

from A Concert of Bach's Music The Amzei Church had donned a festive appearance. People had started coming as early as three o'clock, and by four – the time of the ceremony – the street was crowded with carriages and automobiles. An archbishop was serving.

The only self-relying public dance company in Romania, the Oleg Danovski Ballet Theater carries out an extremely complex and sustained activity mirrored in the diversity of its productions and projects. In 1999 the company opened its gates to the personalities of the Romanian

Gigi Căciuleanu is a dancer and choreographer wrapped in a legendary aura, about whom dance magazines have written year after year, a formidable company manager who has worked in several cultural systems (Rennes, Paris, Santiago de Chile), possessed by a wonderful creative

I made my debut in 1974. I had graduated from high school the year before and in the summer of '73 Adina Cezar, Nataşa Trăistaru, Anca Mândrescu, Cristian Crăciun and I decided to establish a contemporary dance troupe. As far as I am concerned, the decision to put

Contemporary dance choreographers work on gestures. They do not necessarily have to be beautiful or interesting, but simply natural. Every single emotion expressed. The dancer always performs something, interprets something, lives that moment either through gesture, movement

The forms of modern dance, present but not officially supported before 1990, appeared and survived due to the love for them of several choreographers and dancers who used to have the occasional show on various theatre stages. Their importance has been growing since the above