Usa

In history, the diurnal has always been a distorted image of the nocturnal. In daylight, events are the way we want to see, feel, and understand them. The nocturnal rejects such a compromise for the tranquility of crowds. It has existed next to us since the dawn of history,

top row: around Bishopric St. , Capşa restaurant, Magheru Blvd. , in Cismigiu gardens (see also Them in Gallery) If we take an X-ray of the articles published by the major Romanian dailies, we get an overwhelming abundance of unsettling, grotesque events created by outbursts

The house painter. He has a cigarette in the corner of his mouth and his appetite for work is equal to nothing. His torn t-shirt doesn't give you any clue on the fee he will demand at the end of the day after slothfully varnishing a wall which can neither resist nor

Bucharest is a city that is difficult to describe, and difficult is a term that tends to suggest the word impossible. Many of us have probably at least once in our lifetime been in the situation of talking about the city that we live in. And, just as probable, among the

Go take a walk down the boulevards of Bucharest these days and breathe deeply. With your nostrils widely open. What a wonderful scent of spring! Without feeling it, in this package made up of the perfume of snowdrops and violets, you have just breathed in some sulfur oxides,

The house at 8, Visarion St. In recent years, many owners of monument mansions have deliberately left them to decay, or have set fire to them in order to be able to demolish them – Assan’s mill devastated by suspicious fire.  Culture Minister Adrian Iorgulescu has

New police station on L. Catargiu St. and Architects' Order on A. Verona St. An interview by Eugen Istodor with Şerban Sturdza, Chairman of the Order of Architects Lesson: how we can bend the lawReporter: I would like to start from a very concrete thing: we are at

I no longer love Bucharest. I'm no longer hoping something can be done about this dump of Europe An interview with Mircea Cărtărescu by Ion Longin Popescu Slowly but surely, the old, historic Bucharest – the little that was left after Ceauşescu's demolishing

a fragment from The Blind, Chapter Two of Corpuri de iluminat/ Dark Bodies Through Sfântul Ştefan, beyond the old Height and over the tramline in Bărăţiei, a phanariot and decayed Bucharest drained under the snow; a balcony fallen onto its side reminds you that once,

Born in Botosani (then part of the Austro-Hungarian Empire) in 1850, Mihai Eminescu is widely regarded as Romania's finest romantic writer, and is recognized as both Romania and Moldova's national poet. Most Romanians can recite line after line of his work, the

Just another day in Bucharest, in the year 2006, in summer. My friend, an architect, who accompanies me on my visit to a “bedroom suburb”, feels shivers down his spine. Maybe it is because he doesn’t like “the poetry of concrete”. Or maybe he has a problem with

Unlike Poles, Czechs or Hungarians, most Romanians were left with something after communism: a home in an apartment building or a house with a front yard, a villa if your father worked for the Securitate (the Romanian secret services), a piece of land or just some land in