A Beckett Dance Show
The recent premiere presented by the Center for Artistic Expression of the Odeon Theater, Not Me and Solo, from Samuel Beckett, is a dance show by Raluca Ianegic, and it proves that choreography has indeed found in Beckett a good companion in ideas, as his work corresponds
Stravinsky Soirée
BALLET OPENING NIGHT AT THE NATIONAL ROMANIAN OPERA The two ballets staged by Alexa Mezincescu in her recent premiere on the boards of the National Romanian Opera in Bucharest, The Firebird and The Rite of Spring by Igor Stravinsky, marked, at the moment of their creation
Preludes And Carmina Burana
Premiere at the Romanian National Opera While in most theatres of the Capital premieres succeed one another at breathtaking speed, the Bucharest ballet season seemed on the verge of collapse. After a long wait, at the beginning of April the first ballet premiere of the
Răzvan Mazilu And A New Vision Of Camille
The triplet Marie Duplessis (the real-life model), Marguerite Gautier (the literary character), and Violeta Valery (the opera character) has always inspired creators in all arts, including dancing. Internationally, we mention, among others, the famous ballet shows by Antony
The Psychology Of The Romanian People
Chapter IX. The Romanians' Religion and CultureIt has been said and very often repeated that the Christian church and religion saved our nation and country from destruction. This is a statement too often made and too little controlled. With as much grounds one may state
Echoes: Excerpts From The Farewell Concert
In an obituary published in the Tages Anzeiger of Zurich, Mario Gerteis draws a suggestive portrait of Celibidache in his youth. A nervous fiery ball, halfway between histrionics and insight, between passion and obsession. His dark locks hanging over his face in disorder,
The Passage
1. You open one door and there appears another, then another, and another, up to the last one – which does not even exist – and thus you find yourself at the first door – which does not even exist – and you make a round, once more, unto familiar places, as what you
Urmuz, The Solitary
excerptsLet us begin with on obvious fact – Urmuz is a myth, is he not? Useless like all myths, functioning due to inertia, the coronation of certain clichés. Who reads Urmuz these days? Urmuz was the object of critical studies, his work has been translated, and his name
Three Centuries After Milescu
The parallel journals of two travelers, separated by more than three centuries, who crossed Asia from the west to the east, following the same route to the capital of China, offers us a human measure of the passage of time. Double photographs of the same places, even the
Journey Around The Earth
You do not need a passport to travel to Egypt or to any other English colony. A visit card will do. In Alexandria, I made friends with the tropical flora: date trees that bear almost 100 kg of fruit each year, bananas or the cursed fruits because they grow without any effort
The Magic Of The Moment, Or On Dancing And Fine Arts
Choreographer There are numerous crossroads between the dance unfolding within the space of an art collection and the very own pieces of this assembling, crossroads that make a sort of mutual colonization of artistic discourses. Flowing along a choreographic score, they
The Hound In The Bag And The Snipe To The Four Winds
Yet, why should we prize futilities to such an expanse? To what avail should we step purblindly into the haughty palaces, where we, perchance, would encounter but troubles and mortification? Are we not indeed the grandchildren of the poet who, above all, labored the point