Una

January 5, 1940 On Monday I must get down to work seriously and consistently. Apart from this, my life has become unbearable. I don't know what the devil is the matter with me, I feel as if I were growing old and stupid. I suppose I have some obsessions of my own,

The only self-relying public dance company in Romania, the Oleg Danovski Ballet Theater carries out an extremely complex and sustained activity mirrored in the diversity of its productions and projects. In 1999 the company opened its gates to the personalities of the Romanian

Significant and flamboyant, this success reaped by the Ballet Ensemble of the Fantasio Theatre in Constanţa: a corps which has made the proof of less common technical virtues and that of an exceptional graphical grace in maintaining a new (and viable) language derived from

It is difficult for me to express an opinion about Romanian ballet. I only know it thanks to first-class dancers. The first were Magdalena Popa and Sergey Stefanski, then George Iancu, followed by the dancers of the beautiful company of Oleg Danovski. One thing was certain

The International Dance Festival in Constanţa presented in the final gala a special guest: Simona Noja, prima ballerina of the Vienna State Opera, another Romanian who, having left her native country for 10 years, has built a successful career on the world's stages.

Gigi Căciuleanu is one of the most important and original personalities in the world of contemporary dance. He is a graduate of the ChoreographyHigh School in Bucharest. He studied with Messerer Varlamov in Moscow. A decisive influence on his entire career came from the

Gigi Căciuleanu is a dancer and choreographer wrapped in a legendary aura, about whom dance magazines have written year after year, a formidable company manager who has worked in several cultural systems (Rennes, Paris, Santiago de Chile), possessed by a wonderful creative

Ballet dancer (b. 16 July 1957, Năsăud/Bistriţa). ChoreographyHigh School in Cluj-Napoca, graduation 1976, teacher Adrian Mureşan. Romanian Opera House in Cluj-Napoca (1976-1979). Soloist, ODBT* in Constanţa (1979-1988), Opera House in Gera and Opera House in Dresden-GDR

Ballerina (b. 11 April 1959, Reşiţa) Choreography High School in Cluj-Napoca, graduated in 1978; studied under Margareta Agavriloaie. Ballet Academy in Moscow (1976-1978), graduate with diploma, teacher Irina Kuznetsova. International Ballet Contest, Varna, 1983, 2nd stage.

Reporter: You returned to the company that made you famous, the company that you are emotionally attached to and where we hope you will return. I'd suggest that we should evoke the circumstances in which you arrived at the Ballet Company called Fantasio then [in the

I made my debut in 1974. I had graduated from high school the year before and in the summer of '73 Adina Cezar, Nataşa Trăistaru, Anca Mândrescu, Cristian Crăciun and I decided to establish a contemporary dance troupe. As far as I am concerned, the decision to put

Carmen Chihaia: Contemporary dancing seems to be winning over classical ballet. Maestro, considering your comprehensive view of the current directions, which school/tendency do you think will be able to impose itself, to bring something else that both audiences and artists