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About Critics

You like any book if you want to. You dislike any book if you want to. I believe literary criticism is useless, and I believe literature has no metaphysical significance. If I do literary criticism, I do it because I have nothing else to do. I do not feel I am committed

About Literature

I see literature as a mere social occupation and those who do literature as a mere guild, such as shoemaking, binding books, law, politics, carpentry, and so on. No other guild is as vain and presumptuous as the poets'. The shoemaker does not claim he does a metaphysical

The French Literary View On Enescu's Sense Of Yearning

It has been said – for good reason – that the Romanian word dor [aprox. yearning] is untranslatable, which made all foreign lexicographers leave it in its original form in most literary texts. But in music there is also a dor enescian [Enescian yearning], which someone

Famous People About Enescu

Alfredo Casella: Enescu is delicate and sensitive, communicative too, like all Latins. Despite his spontaneous and amazingly rich inventiveness, his creation illustrates a process of will, which no artist can overlook. I have seen such a perfect accord between intention

George Enescu At The Beginning Of A New Millennium

The history of world music has witnessed many spectacular overturns in the hierarchy of values, when names of purely local interest whose death was not even announced in an obituary (Johann Sebastian Bach) became world famous personalities a century later. Quite often, internationally

How I First Met Brâncuşi

excerpts We want to see Brâncuşi. Do you know him? asked Florica. We're old friends. But he is ill, it's not easy to get an appointment. Anyway, let's try. On the same day, October the 13th, 1956, we met Colomba again at 'Les deux magots', among

Brâncuşi And The World Of Music

For the sparkling sculptor of modern art, music represented a secret passion. It was only after the master's death that his close friends, V. G. Paleolog and Marcel Mihalovici revealed to the world the place the art of sounds took in the atmosphere of the mysterious

Constantin Brâncuşi: The Temple Of Liberation And The Hieratic Emblem Of The Chimera

The Chimera, a sculpture carved in oak wood between 1915 and 1917-18, currently exhibited at the Philadelphia Museum of Art, has so far attracted but limited exegesis. Petru Comarnescu, in a conference held in Craiova in 1957, made reference to the body streamlined as to

Brâncuşi And The Significance Of Matter

In a holographic note drawn up in Romanian in the third person, Brâncuşi speaks about himself as about someone else and makes an important remark in connection with his relationship with materials. Turned down in 1910, he exhibited fully carved stone and marble for the

The Brâncuşian Synthesis

You have turned the antic into the modern, Rousseau le Douannier once told Brâncuşi. Those words complete very accurately the characterization suggested by Dan Hāulicā: He produced the century's purest classicism out of the exotic. [1] The Romanian sculptor

History Of The Romanians - Before Decebalus

CHAPTER I 1. The Dacian Offensive: His Majesty, Decebalus  Long had Rome been dealing with this headstrong Dacian people; but, having had them for some time encircled closely by other barbarians and guarded by ships on the Danube, whose function was mainly political,

Nicolae Iorga And Music

It comes as no surprise that a genuinely encyclopedic spirit of Nicolae Iorga's caliber, conversant with history, literature, religion, church, army, commerce, education, trades, guilds, arts, etc. , etc. , should be passionate about music. His existence was markedly