A Generation Of Choreauthors
In the Choreographer's Manifesto from 1935, Serge Lifar proposed a new word for the creator who invents and composes dance parts, that of choreauthor so that we could make a clear distinction between the one who creates (choreauthor), the one who stages again a ballet
Irinel Liciu - A Great Sensitivity And Its Fragility
I was touched and amazed to discover this skinny little girl, thin and long legged, who was doing her exercises in the ballet room with the concentration of a mature artist. The way she led her body had lost any trace of effort and it was describing meanings known only to
Lully
I dedicate these lines to the one we, her friends and colleagues, as well as fans, used to call – and still do – Lully. That is, Ileana Iliescu. She belongs to that pleiad of prima ballerinas who built the fame of Romanian ballet, shining from the beginning of the 1960s:
Interview With Magdalena Popa
Art critics acclaimed Magdalena Popa: She is one of the most dazzling stars of the century. She was regarded as a goddess of this art. Her small body expressed grace, a sort of ritual noblesse. Born in Bucharest, she graduated from the High School of Choreography and then
Vivat Profesores! - Through The Looking Glass Of Time
There are chances in life. I have made mention of it before and will not hesitate to repeat it. To some of them we turn a blind eye; for others we may knowingly not have the just power of judgment and pondering. Or, that of turning something to good account. Floria Capsali
From Marriage In the Carpathians To Romeo and Juliet
1921. End of the year. The Romanian State Opera House was established in Bucharest. 1938. The month of August. The young institution was holding, through its representatives, master Floria Capsali to its bosom, who was employed on that occasion to nurture the destiny of
Facing Their Faces
Do Romanians look in a particular way, precisely as Romanians, and not merely as people of their own times? The answer to such a question of image, apparently simpler than the one to the proper being of the Romanians, is actually much more difficult. And this basically because
The Dialectics Of National Self-Criticism
Some time in the autumn of 1994, Sorin Alexandrescu asked in an interview in 22 magazine why, in the canonical battle between the various radical-democrat and nationalist structures of the opposition (and of the government), more attention is not paid to the real traditions
Notes Of A Hypochondriac
The other Monday walking on Victoriei Road I met a friend. It is a well-known fact that today any guy you treat to a glass of wine at Fialkowsky's or who is in the delightful habit of bumming two or three lei from you is called a friend. Last year, this guy borrowed
Caragiale, Laughter And The Romanians' Nature
And let's be serious for a moment, if just as a whimIon Luca Caragiale In L'Art du roman, Milan Kundera remarked, while speaking of Rabelais, that he coined a significant number of neologisms, many of which have entered French, and then other languages. Not all
Romanian Profile
*excerpts THE SOPHISTICATED PEASANTS The Romanians are a social phenomenon. As a nation among nations, they are westerners evolved in the East. They are Latins surrounded by Slavs. They are Romans two thousand years away from Rome. They are contemporaries re-produced on
The Romanian Dimension Of Existence
excerpts Chapter IIIThe Nature of the Being (…) Anybody who knows this nation will agree that the Romanian is a born opponent. Whatever is proposed to him, his first reaction, the first temptation of his thought is to oppose it. But, strangely, his opposition does not