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Putting the finishing touches to the French edition of The History of the Romanians I could review a long concatenation of historical deeds spanning nearly two thousand years that tell another story than day-to-day affairs, and provide different lessons than those certain

excerpt A commonsensical observation anyone could make is that in many of Caragiale's prose pieces the personal element comes out in a very direct manner, in the form of autobiographical reminiscences or fresh diary entries. Here is Caragiale as a child, tolling, together

About fifteen years ago, during the Brătianu Cabinet, I was editing 'The National Revolt'. It was an essentially combative paper, in strong opposition to the government. Our strength however lay not so much in the leading articles or in the polemic pieces as in

excerpt 'A friend, newspaper reporter' tries to mystify the author by dropping the 'bombshell' about the arrest of some very dangerous anarchists, with bags full of dynamite, poison, daggers, pistols, and compromising letters. The man inquires around

Our century witnessed the birth and death of a most interesting state, a state that no conscientious historian is allowed to overlook. I mean the Republic of Ploieşti, a state that, in spite of its only fifteen hours of life, has undoubtedly written a most famous page in

Caragiale cannot be celebrated officially and patriotically because his writings, his profile as an author, the entire symbolism around his name and works retain an active subversive dimension altogether incompatible with the intrinsic solemnity of a ceremony. One has to

The threshold between the millenniums is an opportunity for evaluation: tributes, jubilees, festivals. Archives are being browsed, masterpieces are reappraised, and writings are redefined in the current context, then recirculated in today's competition. Everything becomes

At the same time, the great Russian also remarked that woman is always what we want to make of her. Femininity triggers off creative energies. Through it, the Author dominates the epic matter, and this helps him complete his plan, plot, work. Femininity delays the end by

from The Hatchet I It is the mountain peasant's lot to earn his daily bread either with the axe or with the sheep hook. Those of them that work with the axe fell firs from the forest and take them to the Bistriţa; there they bind them together into rafts and float

From The Procrustean Bed Add to these criteria of a physical nature the old preconceived idea of talent. As is known, talent is discovered thus: a boy or a girl, choking with stage fright, before a long table at which a commission are sitting, start declaiming Gens Latina

There are masterpieces of musical drama the destiny of which became final in the history of opera owing to singers with a flash of genius. Seemingly, this is how Puccini's Tosca was born, whose protagonist, a superb Romanian soprano from Brăila, lend brilliancy to

The Secret Correspondence between Mihai Eminescu and Veronica Micle Halfway through last year, a genuine editor's bomb was being thrown on our cultural market: the Polirom publishing house based in Iaşi had issued – and was launching on 15 June – a volume of secret