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excerpt In the end, after much talky talk, the priest managed to completely lay the guilt on Father Mitrofan from the monastery, who was now to be held accountable and punished. And since there was nothing there to eat, the priest's wife being sick, priest Bolindache

European travelers such as Antonio Maria del Chiaro were struck long time ago by the uncommon abundance of woolen carpets in each Romanian home, be it aristocratic, bourgeois or peasant. Carpets were laid mainly onto the walls of the rooms, but they also covered the beds,

The relevance of iconography for the study of the history of mentalities has been uncontested in the Western cultural space for the last few decades. The seminars organized in Aix-en-Provence on the relationship between iconography and the history of mentalities as far back

In the field of iconography the rhetoric of the end manifested itself initially as a history of silences, the absence of the motif being possibly equally significant as its presence since, as Michel Vovelle demonstrated, images interest us as expression of a selective, oblique

THE END OF THE EARTHI wrote in my other books about the popular beliefs regarding the future ending of the world and, consequently, of humankind as well as of the Earth we are living on. It goes without saying that the stories about the destruction of the Earth are scarce

excerptsTHE WATER PIXY. Representations. The Water Pixy and the Human Head. The Water Pixy's Wraith. Stories. The Water Pixy in Other CulturesAccording to Romanian popular beliefs in Bucovina, the Water Pixy is a tall, heavily- built woman, some say as tall as a camel,

excerptsDEATHDeath, whom some mistake for Samodiva, Sila Samodiva or Salea Samodiva, is the invisible spirit that takes away any man's soul, irrespective of the fact that the latter is old or young, rich or poor, happy or unhappy with his life, at the moment when it

excerptsTHE LIFE OF MANDeath. The Signs of DeathDeath is no longer visible to people and dying men no longer are aware of their time like once; still, there exist certain premonitory signs that show one the moment has come to embark upon the journey with no return. Not everybody

Myth as a source of folkloric artistic manifestations continually delineates new territories waiting to be re-discovered. In the moments of mythological reconstruction a process of sifting the essences is kindled, which fascinates and re-sizes the participants in a meta-real

Corneliu Bucur has been the manager of the ASTRA Museum of Traditional Folk Civilization since 1990. In 1965, he graduated the Babes Bolyai Faculty of History and Philosophy in Cluj. In 1981 he presented his doctoral thesis, with the following theme: Introduction in the

excerpts1. Participation and RepetitionPerhaps the most significant difference between modern man and archaic man consists in this: for archaic man, a thing or an act acquires significance only in as much as it participates in a prototype, or in as much as it reiterates

FATE, RELIEF, GOOD FORTUNETHE PARCAEUrsitoarele (the Fates, the Parcae), also called ursitori, ursători, ursite, ursoi, ursoaice or ursoni, or Mire by the Macedo-Romanians, or albe, harasite, caşmete or hrioase by the Neo-Greeks and Bulgarians are known as three virgins