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The forms of modern dance, present but not officially supported before 1990, appeared and survived due to the love for them of several choreographers and dancers who used to have the occasional show on various theatre stages. Their importance has been growing since the above

Origins. In Experimentalism in Romanian Choreographic Art between the 60's and the 90's, published in 1997, Liana Tugearu made the following remarks: After a very short period of storing and decanting, a few young dancers broke away from the established companies

The opening of a department of Choreography in the Theatre and Film Academy in 1991, started to produce results two years ago. The academic training offered a large cultural opening to the dancers and choreographers that studied there. I had the chance to see some of the

Who is this Roman Vlad who composed 'The Seagull'? a well-known director asked me, a great music fan, therefore always present at the concerts and shows of the Enescu Festival. The meaning of this question was suggested by its intonation: Who is this Roman Vlad

The recent premiere presented by the Center for Artistic Expression of the Odeon Theater, Not Me and Solo, from Samuel Beckett, is a dance show by Raluca Ianegic, and it proves that choreography has indeed found in Beckett a good companion in ideas, as his work corresponds

It's been a long time since, at the Romanian Opera, I have assisted at a première with an allure of great show as it is now Mihaela Atanasiu's Peer Gynt. An authentic première, not the remake of a show put out of the program for a while, not the resumption, either,

Vivia Săndulescu: Tell me, Tiberiu Almosnino, how many years have you been serving the opera?Tiberiu Almosnino: I graduated from the Choreography High School in Bucharest in 1981, and the same year I was hired at the Romanian Opera, following a contest. So… VS: If you

Having reached its sixth edition, The International Festival of Choreographic Creation tends to become emblematic of the small sweet town of Iaşi. Somewhat pompously named Eurodans '97, it took place this year in a scenery saturated with pilgrims, guards, strikers,

I am fascinated by the theory of professor Nemoianu on the long-term influence of the literary text (secondary) on political representations and ideas (principal) in the history of the Western world, as well as by a recent study on the ethos of education as the substance

Mălina Andrei is yet another young creator whose presence is being increasingly felt in our choreographic landscape. This year she will graduate from the Academy of Theater and Motion Pictures, the choreography section, but she already teaches contemporary dancing at the

It is the third consecutive year when the town of the Union becomes, for three days, the capital of Romanian Contemporary Ballet. Or even of the entire Romanian ballet, one might say, since there is no other reunion of national choreographic forces yet, either complementary

The stars of ballet travel almost ceaselessly: Paris today, Rome or Buenos Aires tomorrow, then prepare for a new destination. Gheorghe Iancu, dancer of Romanian origin, settled in Milan 24 years ago, is one of these Guest Stars. His body's sculptural perfection, his