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excerpts We travel leisurely. The other passengers are discreet and nice. We cross a few borders almost without knowing it. After passing through Hungary without complications, we already believe in our lucky stars. Everyone's tongue loosens, recalling an episode of

*I intended to be concerned with literary form in this series of reportage. I can see I have done better than I expected. At the moment, my problem is preserving the chronological order of events. Our departure from Odessa was marked by a small, insignificant in fact, incident,

We are all collectors. Whether it is paintings, art objects, CDs, books, stamps, insects, pipes, watches, posters, napkins, match boxes, memories, connections and many other artful, useful or simply useless things, everybody has the instinct of gathering in a personal collection

Have you ever thought that no collection is being put together about us, the people of today, and that as a consequence we will not be represented in the museums of the future? Has anyone preserved samples of toilet paper of the last decade, has anyone deemed necessary to

I did not meet the great, indefatigable entomologist Aristide Caradja (1861-1955), but everything I have found out about him from firsthand sources has helped me understand he was a unique personality, an absolutely fascinating man. It is undoubtedly an indirect kind of

Another bibliophilist concerned with theoretical problems related to rare, old book evaluation is Ion Iliescu, Aesthetics professor at the University of Timişoara, the possessor of a rich and valuable collection. Author of many papers on aesthetics (Course of General Aesthetics),

The history of a country's libraries is made not only of facts and events related to large (or smaller) institutions, but also of phenomena that illustrate the taste for books and bibliophily of particular individuals, especially when such libraries come to be included

The Romanian Peasant's Museum Motto: A photo is a secret about a secret. The more it tells you the less you know.  At the beginning of the 20th century, Alexandru Tzigara-Samurcaş1 was wandering around the villages of Oltenia and Bucovina, looking for folk art objects.

Alongside collectors of art works, of minerals, of butterflies, of match-boxes, of vintage automobiles, there appeared, in the early 20th century, collectors of naïve art. Daring, of good taste, discoverers by vocation, they granted civitas rights to a field as old as the

The old painting gallery of Ploieşti, established in 1931, represents the starting point of the Art Museum in Ploieşti, part of the current PrahovaCountyArt Museum. This painting gallery was established in the 1930's, very productive years for the appearance of galleries

Shortly after World War I a new name amidst art collectors in the know started to compel recognition: that of poet Ion Minulescu. At that time, more intensely than in previous years, he would, due among others to his obligations as Director General of the Arts, visit exhibitions,

The feelings for beauty and for art in general are multiple and diverse; they follow an ascending path, turning into a passion for the sensitive person, who loves it and who vibrates with emotion in front of any artistic manifestation situated on the realm of perfection.