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Corneliu Bucur has been the manager of the ASTRA Museum of Traditional Folk Civilization since 1990. In 1965, he graduated the Babes Bolyai Faculty of History and Philosophy in Cluj. In 1981 he presented his doctoral thesis, with the following theme: Introduction in the

excerpts1. Participation and RepetitionPerhaps the most significant difference between modern man and archaic man consists in this: for archaic man, a thing or an act acquires significance only in as much as it participates in a prototype, or in as much as it reiterates

  Joy usually produces beauty and beauty produces communication. . . , as Horia Bernea once said. That is also the dominant impression that I had after having visited the Romanian Peasant Museum. Beauty and joy are being offered to the Romanian or foreign visitor, whether

Architect The architecture of a country is, perhaps, the most accurate expression of its history, and nothing can give us a more certain insight into the past and more authentic knowledge of a civilisation. By what it has achieved throughout time, Romanian architecture

Healing plants grow under Christ's cross and out of the blood of our Saviour. People in Germany and Norway believe that the grass of Sânziene (Hypericum) grew roots from the Saviour's blood drops. Other legends tell that the same plant was born from the blood

excerpt THE MAKING OF EARTH AND ITS LIFE STORYI have already put together in my earlier works a whole series of histories and beliefs dealing with the world before its making as well as with the world above the endless realm of eternal water: And I strongly doubt that anyone

excerptsTHE MAKING OF THE WORLDAbysmIn the beginning, before Old Adam and even before God, there was nothing in this world but pitch darkness. Nothing whatsoever, no Earth, no Sun, no Moon, nothing but a great stretch of water taking up the endless chasm. Wherever you turned

excerpt THE ROMANIANS' SPIRITUAL LIFE The Two Myths of Romanian SpiritualityIn any culture, there is always a central myth that discovers it and that is to be found in all its major works of art. Romanians' spiritual life is dominated by two myths that express,

The experimental artist Grigorescu Ion has forged himself some time ago out of the painter Ion Grigorescu. Indeed, in Romanian it is rather unusual for an adult to put his family name before the forename. Customarily, this happens in official documents or in school registers,

I have never met Ştefan Bertalan. A founder of the sigma group in Timishoara, the most influential hub of constructivist experimentalism in Romanian art, Bertalan has always seemed to me somehow ill-timed, included in the canon, and confined therein. I came once into contact

Emil Popescu was an architect. His specialty was the oil factories and we can say, without any exaggeration, that wherever in the country an oil factory had been built in the last five or six years, one could easily tell it was the work of architect Popescu's skilled

excerpt During such hours, hundreds of hours, was the final thought born. Sitting like that, like a murky statue, between the bed panel and the door, so that Florica, when she opened the door, did it carefully, not to hit him. But he didn't move an inch and the chair