Stil

The chance passers-by through the quiet Cotroceni neighbourhood could discover, at the end of a well tended garden, a two-storey house with no other adornment than its iron-wrought latticework. What was strange was that leaning against the wall separating it from the house

Temptation One is tempted by what one sees, and seeing is the basic experience in cyberspace. One perceives the wondrous site, the desirable realm, but also the density of the transparent space that comes in-between – a psychological double of the transparent obstacle

The reader will remember, if I draw his attention thereto, that the magnetic attraction exerted by the Hrandt and Rose Avakian home on me during my teenage years originated in the Eastern art statuettes particularly present on the cants, albeit not only there, but rather

The inauguration of the art collection Beatrice and Hrandt Avakian, held on a torrid day in August 1974, brought together an extremely numerous public. The exceptional interest manifested was owed to the fact that two siblings living in modest conditions, from hand to mouth,

22 Spătarului Street, Bucharest (see also in Romanian with illustration)  The siblings Béatrice and Hrandt Avakian set up their collections independently, nevertheless evincing a shared predilection towards Eastern art, to be accounted for among others, perhaps, by the

(see also in Romanian with illustration) Garabet (Garbis) Avachian (1907-1967) was an eminent violin professor with the Ciprian Porumbescu Conservatoire in Bucharest; among his students may be counted several laureates of international contests. This talented musician undoubtedly

Mina Minovici Museum, 3 Nicolae Minovici St. In 1936, Dr Nicolae Minovoci donates to the city of Bucharest his villa in Romanian folk style built in 1905 following the designs of architect Cristofi Cerchez, as well as his entire collection of folk art: costumes from the

Virgil Cioflec, later to become a writer and a collector, stands out amongst the moral and financial supporters of the initiators and founders of Artistic Youth Society (December 1901). With some of its founders, Gheorghe Petraşcu, Ştefan Popescu, Kimon Loghi, Ipolit Strâmbulescu

Simu Museum A conservative MP in the 1888, 1891 and 1899 parliament sessions, Anastasie Simu finally became tired of the Machiavellian political life in Romania at the end of the 19th century; realising he had no prospects to achieve momentous social and cultural events

click here to see film The Peleş Castle, former royal summer residence, today a museum open to numerous visitors from the country and abroad, was built between 1875 and 1914 in two important construction phases. Placed at the foot of the Bucegi Mountains, in the upper

  To the preceding names I would like to add the name of Georges de Bellio, who wasn't an art producer through continuous production, but who was still a producer of art, in his own way, by being the friend, councilor and supporter of these artists in their difficult

The year 1863 was full of events that had a significant impact on the artistic world of Paris. On the 24th of July, the new rule of the annual Salon, organized in the Palace of Industry, was announced. The rules were perceived as a way of waving the jury, formed only by