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Origins. In Experimentalism in Romanian Choreographic Art between the 60's and the 90's, published in 1997, Liana Tugearu made the following remarks: After a very short period of storing and decanting, a few young dancers broke away from the established companies

Who is this Roman Vlad who composed 'The Seagull'? a well-known director asked me, a great music fan, therefore always present at the concerts and shows of the Enescu Festival. The meaning of this question was suggested by its intonation: Who is this Roman Vlad

Iaşi proved to be, for the second time, an excellent host for The Competition-Festival of choreographic creation with international participation, initiated last year by the ballet critic Dan Brezuleanu, the director of the Festival. The artists benefited from a modern

Marginalii, the contemporary dance group initially made up of Florin Fieroiu, Mihai Mihalcea, Cosmin Manolescu, and Irina Costea, was set up in 1992, and they are the enfants terribles of the current Romanian choreography. They are protesters, wiping out everything that

Should we try to mark on the map of Europe the places where, during the last twenty years, the first Romanian ballet masters have been shining, whose names figure in international dictionaries of dance, we would have to cover the map from Stuttgart to the Canary Islands

It is the third consecutive year when the town of the Union becomes, for three days, the capital of Romanian Contemporary Ballet. Or even of the entire Romanian ballet, one might say, since there is no other reunion of national choreographic forces yet, either complementary

The new season of the National Opera opened this autumn with a ballet made up of four choreographic pieces united under the title of the most elaborate one, Daphnis and Chloe, a production staged by Gelu Barbu, a Romanian choreographer from the Diaspora. Gelu Barbu belongs

I was touched and amazed to discover this skinny little girl, thin and long legged, who was doing her exercises in the ballet room with the concentration of a mature artist. The way she led her body had lost any trace of effort and it was describing meanings known only to

The origins of dance are prehistoric, but rhythm, mimetism, balance, harmony, grace have gradually turned into a genuine art, perhaps the most liberating. The art of dance requires countless qualities: talent, musicality and musical culture, good physical shape and endurance,

Do Romanians look in a particular way, precisely as Romanians, and not merely as people of their own times? The answer to such a question of image, apparently simpler than the one to the proper being of the Romanians, is actually much more difficult. And this basically because

The Balkans are Europe's ass.  The Romanian language has complete virtues, that is, it can be the vehicle of anything spiritual created by man. It is very hard to use. With it, one may become an eagle or a lectern singer. The Romanian language has all the axiological

I am overcome with horror at the thought that we, Romanians, are facing 'eternity': the proverb. We enter other nations' proverbs like the Scotsman, the Irishman, the Jew, and – in the Balkan Peninsula – the Gypsy. We've brought shame upon ourselves,