Stea

Donna Alba

excerpts First of all I have to recall that moment of my life which was the origin of the incidents that I will evoke in these confessions. It was the instant – so dramatic to me – when I first saw Alba. But right in that moment, which twisted so many years that were

Queen Chiajna

excerpts IThe Tomb The Royal Church bells of the townlet of Bucharest were pealing rhythmically in a mournful voice, whilst, from the hillock in sight, the small-rounded belfry of Bucur's little church was echoing back the toll in a wailing-remote fashion. It was

Women Inc.

The first woman characters of the modern Romanian literature were anything but womanly. The Romanian romantic theatre and the historical romances of the nineteenth century abound in strong-willed, ambitious princesses, exasperated by the lack of guts in their male partners.

Adela

excerpts Almost every night I talk to Adela on the porch. The ladies go to sleep earlier. Adela shows an attentive, almost submissive, sympathy to the maestro. She is, however, more personal in opinions than before. But what is going on inside her? When she talks it always

On Life, Love And Women

Whenever I see you sincere I have the feeling that, in everybody's war against everybody, you left your coat of mail at home.  There is one thing a man does without any feeling of responsibility: that which he should make with the feeling of utmost responsibility:

Self And Portrait

Like diaries and memoirs, portraits and especially self-portraits represent a favorite means of inserting the creator's self into history. One may eventually infer, if not directly grasp a writer's or a painter's positions and opinions about his milieu and

Fiction Of The Diary

excerpts The Diary and Its Readers We should not overdo it with diaries and letters. We usually tend to deem them more revealing of the man than his public work. All that is secretive, familiar draws us as if it were a confession. It is the pleasure of breaking an interdiction,

At Home We Speak In Whispers

* Excerpts from an interview with prose writer, political analyst and journalist Stelian TĂNASE (Observator cultural no. 121, 18-24 June 2002) Why did you choose to publish At Home We Speak in Whispers at this particular moment? Books come and go in a writer's imagination.

The Diary Of Happiness

6 March 1960So I am finally taken out as well, led inside an office hid in that tiny niche of the arched corridor; examined, identified, undressed. I am only left one towel, one bar of soap, one toothbrush, one toothpaste, two pairs of socks, one shirt, one pair of underwear,

The Impossible Escape

Preface In April 1990, I handed over the volume The Silent Escape to the Secretariat of the French publishing house La Découverte in Paris. On September the 1st, the same year, the book was in the bookshops. It's my first book and I don't consider it literature.

Memoirs

vol. II: 1937 – 1960 XXIIII begin to discover America… Chicago, December 10, 1984. For a whole fifteen minutes I have been standing by my window, staring blankly out into the street, without even understanding why. I got up from my desk because I thought it had started

The Great Misunderstanding

excerpts Fighting for an idea for forty years – the idea of liberating your country from communism; never yielding for one single moment, being consistent in this action and in this hate (constantly fuelled and substantiated); organizing your despair, turning it into