Stand

In General Ionescu's garden, the April dusk brought a harsh wind and sprayed dust in the horizon like a bluish mist, spreading heaps of apricot tree flowers over the fresh vegetable beds. Ion, the general's first orderly, in charge of sweeping the flowers laid

Uncle's great eaters, it's hard for me to choose something suitable to the title I myself have given! It's because, on the one hand, I want to confine myself to mamaliga, small fry sour soup, mushrooms baked in ashes or meat rolled in fenugreek and fried on

excerpt In the end, after much talky talk, the priest managed to completely lay the guilt on Father Mitrofan from the monastery, who was now to be held accountable and punished. And since there was nothing there to eat, the priest's wife being sick, priest Bolindache

excerpt With this, we can consider that the era of medieval, traditional cuisine was over and the modern Romanian cuisine begins. In the same year the young Miclescu couple went on their honeymoon – 1880, the first Romanian cookbook with Latin characters was printed.

It seems almost provocative to launch such an issue on the local pleasures, pastimes and delights, while nowadays a troublesome Romania appears as plunged into unending economic and social difficulties, striving to cope with various shortcomings and weaknesses. However,

European travelers such as Antonio Maria del Chiaro were struck long time ago by the uncommon abundance of woolen carpets in each Romanian home, be it aristocratic, bourgeois or peasant. Carpets were laid mainly onto the walls of the rooms, but they also covered the beds,

The legend is part of the martyr-cycle and it contains fairy tale elements (the dragons), which is not unusual in hagiography, as shown in the last chapter. It was copied by the parson Grigore from Mahaciu before 1600 after an original that has been lost. It is still preserved

The relevance of iconography for the study of the history of mentalities has been uncontested in the Western cultural space for the last few decades. The seminars organized in Aix-en-Provence on the relationship between iconography and the history of mentalities as far back

In the field of iconography the rhetoric of the end manifested itself initially as a history of silences, the absence of the motif being possibly equally significant as its presence since, as Michel Vovelle demonstrated, images interest us as expression of a selective, oblique

excerptsDEATHDeath, whom some mistake for Samodiva, Sila Samodiva or Salea Samodiva, is the invisible spirit that takes away any man's soul, irrespective of the fact that the latter is old or young, rich or poor, happy or unhappy with his life, at the moment when it

excerptsTHE LIFE OF MANDeath. The Signs of DeathDeath is no longer visible to people and dying men no longer are aware of their time like once; still, there exist certain premonitory signs that show one the moment has come to embark upon the journey with no return. Not everybody

Myth as a source of folkloric artistic manifestations continually delineates new territories waiting to be re-discovered. In the moments of mythological reconstruction a process of sifting the essences is kindled, which fascinates and re-sizes the participants in a meta-real