Stand

excerpts IV In his office on the ground floor, Saferian, on a chair and surrounded by four men, all standing, was contemplating an oil portrait, set near them against the back of an ordinary straw chair. It is an Ingres, most certainly, said one of the four, a man with trimmed

If his consuming passion for art gained Krikor Zambaccian a familiar fame amongst the collectors in Bucharest, particularly by dint of his acquisitions in the field or foreign art, few know that his younger brother, Onic (1891-1975), yet another aficionado of beauty, was

Just think that I paid it once, and it pays me off a lifetime instead. * Zambaccian on a canvas by Pallady Having great collectors represents as big a chance for a culture as having great artists. Flourishing arts are hardly imaginable when wealthy art-lovers are missing,

Krikor H. ZAMBACCIAN (1889-1962) was born in an Armenian family that had long before settled in Constanta on the Romanian Black Sea coast. From 1907 he attended commerce colleges in Antwerp and Paris, where he became acquainted with western art and met Matisse, Dufy, Derrain,

After having been closed for consolidation, restoration and reorganization, the Museum of Art Collections, housed by the former Romanit Palace, restores to circulation fourteen collections, exhibited in the building facing the Grivita Road. The building was closed in 1986

It was in May 1972, when I paid my first visit to the Weinbergs. I still have a warm dedication from the host as testimony. I was coming from the Museums Review to record a few thoughts about the Weinberg collection, the foundations of which had been laid in the tumultuous

Writer and literary critic, historian and diplomat, Marcu Beza, of Aromanian origin, was born at Salonika in 1882. He attended courses in letters and philosophy under Titu Maiorescu, then obtained a scholarship in London, where he promoted Romanian culture and literature.

In 1951, the 'Slătineanu Collection' opened at No 3, Obedenaru Street. After crossing a garden bordered by big mosaic slabs, one reaches the building hosting the Collection. Two 18th century ewers warn the visitors that they will find numerous ceramic pieces indoors.

The chance passers-by through the quiet Cotroceni neighbourhood could discover, at the end of a well tended garden, a two-storey house with no other adornment than its iron-wrought latticework. What was strange was that leaning against the wall separating it from the house

The inauguration of the art collection Beatrice and Hrandt Avakian, held on a torrid day in August 1974, brought together an extremely numerous public. The exceptional interest manifested was owed to the fact that two siblings living in modest conditions, from hand to mouth,

22 Spătarului Street, Bucharest (see also in Romanian with illustration)  The siblings Béatrice and Hrandt Avakian set up their collections independently, nevertheless evincing a shared predilection towards Eastern art, to be accounted for among others, perhaps, by the

(see also in Romanian with illustration) Garabet (Garbis) Avachian (1907-1967) was an eminent violin professor with the Ciprian Porumbescu Conservatoire in Bucharest; among his students may be counted several laureates of international contests. This talented musician undoubtedly