Stand

Member of the Romanian Academy A Written Report at the Public Meeting on the 20th of April 1945 In every social group, may that be family, social class, nation, village, city, region, country, in every institution or social organization, an elite is automatically and spontaneously

I did not meet the great, indefatigable entomologist Aristide Caradja (1861-1955), but everything I have found out about him from firsthand sources has helped me understand he was a unique personality, an absolutely fascinating man. It is undoubtedly an indirect kind of

Painter and collector of icons, Sergiu Savin was born in Bucovina, at Horodnic. Although he is a native of Bucovina he left his village when he was a child, and went to Transylvania. He came in touch with his native land very late, when he was about 55. He wanted one day

The Romanian Peasant's Museum Motto: A photo is a secret about a secret. The more it tells you the less you know.  At the beginning of the 20th century, Alexandru Tzigara-Samurcaş1 was wandering around the villages of Oltenia and Bucovina, looking for folk art objects.

Alongside collectors of art works, of minerals, of butterflies, of match-boxes, of vintage automobiles, there appeared, in the early 20th century, collectors of naïve art. Daring, of good taste, discoverers by vocation, they granted civitas rights to a field as old as the

Shortly after World War I a new name amidst art collectors in the know started to compel recognition: that of poet Ion Minulescu. At that time, more intensely than in previous years, he would, due among others to his obligations as Director General of the Arts, visit exhibitions,

The feelings for beauty and for art in general are multiple and diverse; they follow an ascending path, turning into a passion for the sensitive person, who loves it and who vibrates with emotion in front of any artistic manifestation situated on the realm of perfection.

excerpts IV In his office on the ground floor, Saferian, on a chair and surrounded by four men, all standing, was contemplating an oil portrait, set near them against the back of an ordinary straw chair. It is an Ingres, most certainly, said one of the four, a man with trimmed

If his consuming passion for art gained Krikor Zambaccian a familiar fame amongst the collectors in Bucharest, particularly by dint of his acquisitions in the field or foreign art, few know that his younger brother, Onic (1891-1975), yet another aficionado of beauty, was

Just think that I paid it once, and it pays me off a lifetime instead. * Zambaccian on a canvas by Pallady Having great collectors represents as big a chance for a culture as having great artists. Flourishing arts are hardly imaginable when wealthy art-lovers are missing,

Krikor H. ZAMBACCIAN (1889-1962) was born in an Armenian family that had long before settled in Constanta on the Romanian Black Sea coast. From 1907 he attended commerce colleges in Antwerp and Paris, where he became acquainted with western art and met Matisse, Dufy, Derrain,

After having been closed for consolidation, restoration and reorganization, the Museum of Art Collections, housed by the former Romanit Palace, restores to circulation fourteen collections, exhibited in the building facing the Grivita Road. The building was closed in 1986