Space

The parallel journals of two travelers, separated by more than three centuries, who crossed Asia from the west to the east, following the same route to the capital of China, offers us a human measure of the passage of time. Double photographs of the same places, even the

On this clear morning destined for the departure for Delphi I am unconsoled at having to leave Athens, where everything measures up to the artistic emotion. The distance between Athens and Delphi, on a well-kept road, is 243 kilometres. The itinerary includes a halt, around

My plan for this little article had already taken shape. After having read all the materials, learned quite a few things therefrom, enjoyed the erudition, remembered some of my friends' passion for rare watches, phone cards or antiques, or my own childhood stamp, coin,

excerpt A few essential socio-economic mutations have occurred in Romania in the last decade. Gaining individual freedom, in addition to the possibility of free economic initiative, briefly, the first steps towards a market economy, had as an immediate consequence the need

Have you ever thought that no collection is being put together about us, the people of today, and that as a consequence we will not be represented in the museums of the future? Has anyone preserved samples of toilet paper of the last decade, has anyone deemed necessary to

Member of the Romanian Academy A Written Report at the Public Meeting on the 20th of April 1945 In every social group, may that be family, social class, nation, village, city, region, country, in every institution or social organization, an elite is automatically and spontaneously

The history of a country's libraries is made not only of facts and events related to large (or smaller) institutions, but also of phenomena that illustrate the taste for books and bibliophily of particular individuals, especially when such libraries come to be included

The Romanian Peasant's Museum Motto: A photo is a secret about a secret. The more it tells you the less you know.  At the beginning of the 20th century, Alexandru Tzigara-Samurcaş1 was wandering around the villages of Oltenia and Bucovina, looking for folk art objects.

excerpts IV In his office on the ground floor, Saferian, on a chair and surrounded by four men, all standing, was contemplating an oil portrait, set near them against the back of an ordinary straw chair. It is an Ingres, most certainly, said one of the four, a man with trimmed

Choreographer There are numerous crossroads between the dance unfolding within the space of an art collection and the very own pieces of this assembling, crossroads that make a sort of mutual colonization of artistic discourses. Flowing along a choreographic score, they

After having been closed for consolidation, restoration and reorganization, the Museum of Art Collections, housed by the former Romanit Palace, restores to circulation fourteen collections, exhibited in the building facing the Grivita Road. The building was closed in 1986

Director, Museum of Art Collections A magic and impartial destiny decided that, at the celebration of a century since the materialization of the idea of art collection and art collector, the reopening of a Palace of Collections should take place. An initiative, disputed