Space

Preface In April 1990, I handed over the volume The Silent Escape to the Secretariat of the French publishing house La Découverte in Paris. On September the 1st, the same year, the book was in the bookshops. It's my first book and I don't consider it literature.

It is well known that Mircea Eliade lived numerous experiences of otherness and exile in countries such as India, France, Portugal, America, but it is only in the last that he remained for twenty-seven years. Eliade's perspective on America is somehow indebted to the

vol. II: 1937 – 1960 XXIIII begin to discover America… Chicago, December 10, 1984. For a whole fifteen minutes I have been standing by my window, staring blankly out into the street, without even understanding why. I got up from my desk because I thought it had started

1945 January 1st Absolutely alone, this Eve. First time ever, I imagine. Listening to the King's speech and to general Rădescu's[i]. Nonetheless, kicked off the evening by a prayer: asked God for PEACE, serenity, calmness. At the depth of my soul: melancholy,

Is a diary sometimes tantamount to confession and, if so, is it, most often, a sincere one? Is it also a means of self-liberation? The most delightful diaries, although usually set off by outside shocks, by major events or dramatic situations, reveal above all the confidential

Representing dance and dancers is not infrequent in Romanian art. From the famous Hora by Tattarescu, at the end of the 19th century, to the series of Căluşarii of Magdalena Rădulescu by the middle of the 20th century, various painters aimed at getting something from

Significant and flamboyant, this success reaped by the Ballet Ensemble of the Fantasio Theatre in Constanţa: a corps which has made the proof of less common technical virtues and that of an exceptional graphical grace in maintaining a new (and viable) language derived from

If to the ordinary Romanian ballet aficionado the name Judith Turos doesn't ring a bell, to the German press she is die Turos, just like Italians say la Fracci. Born in Baia Mare, she attended the Choreography High School in Cluj and graduated from the Moscow Ballet

The International Dance Festival in Constanţa presented in the final gala a special guest: Simona Noja, prima ballerina of the Vienna State Opera, another Romanian who, having left her native country for 10 years, has built a successful career on the world's stages.

Interview with Gigi Căciuleanu about the performance staged as an absolute première in Constanţa – June 2000 To Gigi Căciuleanu, Romanian choreographer living in France, who left Romania in 1972 to win a wager with himself – the freedom to create in a world free

As regards the danced act, I am what you may call an animist. I believe that each part of the body, like objects, has its own soul. Its own character and personality. That is why it is terribly important to establish with utmost care a minute inventory of these 'souls'

Gigi Căciuleanu is one of the most important and original personalities in the world of contemporary dance. He is a graduate of the ChoreographyHigh School in Bucharest. He studied with Messerer Varlamov in Moscow. A decisive influence on his entire career came from the