The Mioritza Space
excerpts We have wondered many times if it is possible to find or to hypothetically build a matrix-space, or an unconscious spatial horizon, as an underlying spiritual layer for the Romanian folk culture anonymous creations. The subject is worth the risk of any and all
Inner Nature
Corneliu MICHAILESCU (Bucharest, 1887-Bucharest, 1965) is one of the less known Romanian avant-garde artists, with a particular although somehow exemplar creative itinerary. Despite his relatively long life and apparently static development, he is one of the rare Romanian
Preface To Benjamin Fundoianu, Images And Books
excerpts Having begun when he was seventeen or even earlier, B. Fundoianu's activity as a publicist impresses by its intensity and diversity. Simultaneous and assiduous collaborator to many magazines, the author doesn't seem to have the prejudice of specialization:
Mateiu I. Caragiale
Mateiu Caragiale left us a literary heritage, fragmentary in its outlook that puzzled and amazed through its originality, through an appetite for mystery it seemed to originate in, through the secret inspiration that fed it and through its old-fashioned lyricism which was
The Trip - Punctum & Studium
Studium (…) qui ne veut pas dire, du moins tout de suite, mais l'application à une chose, le goût pour quelqu'un, une sorte d'investissement general, empresseé, certes, mais sans acuité particulière. C'est pas studium que je m'intéresse
Fatherland-World
C. H. R. – I was telling myself: how can a man like Mircea Eliade experience the diversity of idioms, cultures, fatherlands, abodes, countries? I begin to understand this now and yet would like to ask you how fatherland and the world interrelate in your inner self?M. E.
About The Art Market
excerpt A few essential socio-economic mutations have occurred in Romania in the last decade. Gaining individual freedom, in addition to the possibility of free economic initiative, briefly, the first steps towards a market economy, had as an immediate consequence the need
Gogu Georgescu And Gică Petrescu
On some days I feel universal when listening to Hora în căruţă (Jig in the Cart); I can even picture a cart then, all its joints rattling among the frozen missiles of the world. I get dizzy and a teardrop warms up the Murmansk under my eyelids. Hora Stacatto (Stacatto
Masked Ball
excerpts The formulae that announced guests to the Danielescus' meals were varied, appropriate to the guests. For example:Tonight you're laying one more cover, told only to the maid a few moments before dinner by Mrs. Danielescu, meant that the same oilcloth was
Comments On The Legend Of Master Manole
excerpts1. Participation and RepetitionPerhaps the most significant difference between modern man and archaic man consists in this: for archaic man, a thing or an act acquires significance only in as much as it participates in a prototype, or in as much as it reiterates
A Museum-Synthesis Of The Romanian Ethnological Patrimony
Architect The architecture of a country is, perhaps, the most accurate expression of its history, and nothing can give us a more certain insight into the past and more authentic knowledge of a civilisation. By what it has achieved throughout time, Romanian architecture
The Museum Of The Romanian Village
In his opening speech at the inauguration of the Village Museum, Professor D. Gusti said: …We did not have the example of open air museums from the northern countries, such as Skansen, Bigdo or Lillehammer. They convey us too much romantic and ethnographical merit, focusing