Sibiu

The relevance of iconography for the study of the history of mentalities has been uncontested in the Western cultural space for the last few decades. The seminars organized in Aix-en-Provence on the relationship between iconography and the history of mentalities as far back

Corneliu Bucur has been the manager of the ASTRA Museum of Traditional Folk Civilization since 1990. In 1965, he graduated the Babes Bolyai Faculty of History and Philosophy in Cluj. In 1981 he presented his doctoral thesis, with the following theme: Introduction in the

Architect The architecture of a country is, perhaps, the most accurate expression of its history, and nothing can give us a more certain insight into the past and more authentic knowledge of a civilisation. By what it has achieved throughout time, Romanian architecture

How much does a museum represent in contemporary cultural life? Is it still a necessity today? Is the support provided to museology, or to be more precise, to acquisitions, specific research, conservation and restoration a good investment? All in all, is there any future

Years ago, I experienced a peculiar evening. My life is far from eventful, and the few significant occurrences I do remember have been sucked for all they're worth in my books. There are, nevertheless, among their number some which, for a variety of reasons, I couldn't

excerpts Our researches carried out in Bucharest, Geneva, London and Budapest have led us to the conclusion that the relations between the Romanian governments and the League of Nations were quite close, without any tinge of restraint, or silence, over the recommendations

excerptConclusions and final ideasStereotypes, as they are described in the first researches in this field, tend to be quite long-lasting, yet they do show changes. Images of the other are less enduring than images of self. In 1992, Romanians had a negative self-image on

Gianina lu' Manşonică of Sinteşti interviewed by Tita Chiper Our host's courtyard could be best described as transition in progress, accurately preserving each of its successive stages: it begins with two run-down foreign cars, and ends with an ashen tent proudly

We do not hate the Greeks; quite to the contrary, we love them and we share the same heritage: a nationality to build; for we have the same interests, the same pains, the same hopes; and when we say 'we love them' we can bring proofs to support this statement:

Who is Eginald Schlattner and what story is he telling in his debut novel? For the readers in Romania, the Lutheran priest aged 65 who lives in his parish house at Rosia, near Sibiu, where he lives in a community mainly made up of Romanies, Romanians, and only a few Saxons

see movie trailer excerpt My grandfather was called Goldschmidt, H. H. I. G. Goldschmidt, and he came from Schirkanyen, near Fogarasch. He was a Saxon of Transylvania, coming from a family eight hundred years old! and, documents could prove it, a pure German for twenty five

I have always wondered why so many of those who happen to be born within the Carpathian arch, in Transylvania, have a sense of coming from a unique, privileged area, why they keep an enduring and unquestioned commitment to it whatever may happen in their lives, whether they