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January 5, 1940 On Monday I must get down to work seriously and consistently. Apart from this, my life has become unbearable. I don't know what the devil is the matter with me, I feel as if I were growing old and stupid. I suppose I have some obsessions of my own,

*  Sunday, March 31, 1940Rotten weather. I stay indoors and work, bringing my Diary to date. The French and the British hold frequent, definitely long conferences – now in Paris, now in London – attended by militaries and politicians. This incessant activity evinces

Paris, February 7th, 1939The phone wakes me up: it's George, who calls me from Algiers. He keeps waiting for his plane to be repaired. The thought that he left on an old jade – as he says – worries me. I remember my mother-in-law's words and I agree with her:

Un sot n'a pas assez d'étoffe pour être bon. La Rochefoucauld Let alone the characteristics of the genre, Mihail Sebastian's Diary is a confession about relationships with the other set against the background of rising anti-Semitism between the two World

I don't know why I haven't written in here for so long. Weary of scrutinizing myself… But tonight I'm happy I've stayed in and read a book (Esquisse d'un traité du roman, Léon Bopp); I'm going to proofread City of Acacia Trees[i]. I've

Titu Maiorescu's diary is an unprecedented publishing event and, in its own way, unique in Romanian literature, by both the nature and value of the notes and by the length in time it covers – 62 years – and by the age of the author who had barely turned 15 when

The only self-relying public dance company in Romania, the Oleg Danovski Ballet Theater carries out an extremely complex and sustained activity mirrored in the diversity of its productions and projects. In 1999 the company opened its gates to the personalities of the Romanian

If to the ordinary Romanian ballet aficionado the name Judith Turos doesn't ring a bell, to the German press she is die Turos, just like Italians say la Fracci. Born in Baia Mare, she attended the Choreography High School in Cluj and graduated from the Moscow Ballet

Interview with Gigi Căciuleanu about the performance staged as an absolute première in Constanţa – June 2000 To Gigi Căciuleanu, Romanian choreographer living in France, who left Romania in 1972 to win a wager with himself – the freedom to create in a world free

Ballet dancer (b. 16 July 1957, Năsăud/Bistriţa). ChoreographyHigh School in Cluj-Napoca, graduation 1976, teacher Adrian Mureşan. Romanian Opera House in Cluj-Napoca (1976-1979). Soloist, ODBT* in Constanţa (1979-1988), Opera House in Gera and Opera House in Dresden-GDR

I made my debut in 1974. I had graduated from high school the year before and in the summer of '73 Adina Cezar, Nataşa Trăistaru, Anca Mândrescu, Cristian Crăciun and I decided to establish a contemporary dance troupe. As far as I am concerned, the decision to put

Arabesque Graceful silhouettes, jumps, pirouettes, endless rehearsals, precision, tenacity, discipline, harmony between body, movement and music to attain the purity given off during that glissade in which glided the white ballerinas in Bacovia's poem or in a painting