Serie

(from: Chapter 5 - The Map of Metopolis Scaled 1:1; Chapter 4 - The Rail Car of the Millionaire, and from At the Armenian's Tavern and Once Again at the Armenian's Tavern - Chapters 3 and 6) If you are far, far away from the city and take a completely different

excerptStanding in front of the Corso building on Calea Victoriei one day, he felt someone's familiar gaze follow him from across the street, as if to catch his eye. He crossed over, as though answering a call, and discovered a picture of Ann among several other portraits

It may be said about some cities that they are theatrical; that – in other words – they look like a stage set. Take, for instance, Venice or Naples. It may be only an illusion, however, given a host of plays by Goldoni or Eduardo de Filippo whose plots revolve around

 Bucharest Again It is hard to explain the emergence of a language and the birth of a nation – they seem to be part of a mystery. All of a sudden, history records, in some part of the world, an unknown nation and a new language, probably derived and related, but new.

The author of the brilliant Ouvert la nuit series seems to be in a state of conflict with some Bucharest dwellers. Out of incontestable affection for our Capital, he tried to picture it as a city portrait for the Western world, and he managed to make enemies out of the very

The scientific world has long known Romania through the achievement of a group of scholars connected with the RomanianAcademy, the University and other institutions in Bucharest. among them are the incredibly prolific historical scholar, and energetic leader, Prof. N. Iorga;

Bucharest became the capital of Wallachia in the middle of the sixteenth century in preference to the earlier sub‑Carpathian capitals of Câmpulung, Curtea de Argeş and Târgovişte. It became the capital of the united Romanian principalities of Wallachia and Moldavia

Emptyyyy bottles! Buyyyyyyyyin'! This dramatic call, like that of the ancestors, which we have all heard at one time or another in Bucharest slums, reminded me of what happened to a friend of mine – it could be a comic thing, if it was not tragic – who went to Sovata

excerpt Lying on the hot tile floor, Brave Leader was reaching back and scratching his ass with the Romanian people. What he lovingly called the Romanian people was in fact a tiny little bathroom brush with ivory engravings, which he never parted with, and liked to have

Speaking about I. L. Caragiale, i. e. the quintessential comic playwright in Romanian theater, N. Steinhardt made a few distinctions likely to offer generous openings: However powerful its spiritualism, Asia terrifies us with its uncivil dirt and squalor, while blind and

The founder of the Theater of the Absurd (with The Bald Soprano, staged in 1950 by Nicolas Bataille at the Theatre des Noctambules in Paris, a play he had begun in the 40s while still in Romania under the title English without a Teacher), a member of the French Academy from

Alfredo Casella: Enescu is delicate and sensitive, communicative too, like all Latins. Despite his spontaneous and amazingly rich inventiveness, his creation illustrates a process of will, which no artist can overlook. I have seen such a perfect accord between intention