10.000 de semne / 10,000 characters
Antologia bilingvă (română-engleză) 10. 000 de semne / 10,000 characters reunește texte de Diana Adamek, Gabriela Adameșteanu, Ștefan Agopian, T. O. Bobe, Nicolae Breban, Augustin Buzura, Mircea Cărtărescu, Ruxandra Cesereanu, Radu Cosașu, Caius Dobrescu, Filip
Octavian Saiu - Hamlet and the Madness of the World
Translation: Samuel Onn„Octavian Saiu's passionately written, intellectually penetrating and historically informed book bases itself on three contemporary and adventurously experimental productions of Hamlet: one in New York, one in Berlin and the other in London.
2014
Dialogul Cultural Europa-China, Spații publice și poduri între culturi la Palatul Parlamentului din Bucureşti – MODERNISM. roautor: Cosmin Năsui 21 octombrie 2014 Dialogul Cultural Europa-China (1) Dialogul Cultural Europa-China (2)În perioada 15-17 octombrie 2014
Erwin Kessler (coordonator) - The Self-punishing One. Ştefan Bertalan, Florin Mitroi, Ion Grigorescu. Arts and Romania during the 1980s and 1990s, 332 p., 2010
Texte inedite de Ştefan Bertalan, Florin Mitroi şi Ion Grigorescu, cu o cronologie de Carola Chişiu Traducere în limba engleză: Mirela Bowen-Hunt Fotografii: Viorel Grigore, Sebastian Bertalan, Ion Grigorescu Concepţie grafică: Anca Adina Cojocaru, Victor Bartiş
Why Animalia
Animals have well-defined pigeonholes assigned by the traditional Romanian mindset. From wee to huge, all creatures are cast in distinct roles that any inhabitant of temperate geographical areas will recognize: hardworking as an ant (or bee), stupid as a goose, haughty as
The Fox: From Fable To Reality
see image A widely-spread carnivorous mammal, the fox has been drawn to the attention of the people ever since early Antiquity, remaining throughout the ages the most steadfast symbol of slyness, cunningness, cruelty and cynicism. Totemic animals from one region in the
Slow Beasts, Easy Life
See Gallery One would wonder why the ox is so preferred by most of the Romanian landscape painters at the turn of the century. One reason is a name, Barbizon. Both Nicolae Grigorescu and Ion Andreescu, the leaders of the generation, were configuring their artistic project
Surrogate Animals
When I was little, during Ceausescu's time, I was lucky to have a godmother in Germany whose mother, Oca, not only was an ideal nanny but she also used to send me wonderful things, which went far beyond a socialist child's imagination. That is how, for my sixth
The Death of Castor
A few years ago, on a day in September, I had been walking alone and aimlessly through the streets, seized by an unutterable wanderlust triggered by the infinite blue of the sky and the dizzying charm of autumn when, all of a sudden, at a crossroads, I came up against the
Restrictions In The Retezat National Park
Rhododendron on Bucura lakeshore by Cristina LazaroniRestrictions have their place in a national parkMany people know why there are restrictions in a national park and agree with them. I have received various questions from tourists wanting to know why, in the Retezat National
Pseudo-Kynegetikos
excerpt I was a boy around thirteen when I first learned how to wield a rifle – though I confess that, ever since, I have made no progress in this craft, quite the contrary, I dare say! I had accompanied my old man to Whitepond Baths, that had seen the cream of the crop
The Pig Way
see Gallery The Story of the Pig is one of Ion Creanga's loveliest stories. The story of the pig in contemporary Romanian art is, in its turn, one of the most exciting. The image of the pig in current art ranks, unexpectedly, among the most significant and consistent