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I am working on a new project entitled Memory for Sale (Childhood Included) that represents an attempt to gain access to another level of conscience, at which thought, sensation and body are no longer separated. I will finish the show during my two-months stay in Vienna

A Dance To The Music Of Words

I have often wondered why dance should necessarily be accompanied by music. The lines of a poem have their own sounds, rhythm and balance. Poetry is not made of such stuff as ideas, dreams or feelings, but of words, and their worldly counterpart, the sounds. Even the prose

Eurodance '97

Having reached its sixth edition, The International Festival of Choreographic Creation tends to become emblematic of the small sweet town of Iaşi. Somewhat pompously named Eurodans '97, it took place this year in a scenery saturated with pilgrims, guards, strikers,

Mihai Babuşka - Interview

I know you don't like to talk about yourself and your successes. You were telling me some time ago about a certain maturation of verbal expression that, with dancers, develops in time in parallel with motile expression.  I noticed that we, dancers, do a lot of things

The International Festival Of Choreographic Creation Iaşi 1993, 2nd Edition

Iaşi proved to be, for the second time, an excellent host for The Competition-Festival of choreographic creation with international participation, initiated last year by the ballet critic Dan Brezuleanu, the director of the Festival. The artists benefited from a modern

Interview With Karine Saporta - 28 January 1992

Karine Saporta is considered one of the most prestigious personalities of contemporary European dance. With higher education in philosophy and sociology in France and the USA, she has continuously developed her research in the direction of dance, from video to photography.

Christine Bastin - Interview, 1991

A complex cultural program begins this month in Bucharest: La danse en voyage, organized by France for Romania. Six contemporary dance companies from France will come monthly to Bucharest, Iaşi, Timişoara, Cluj and Constanţa. Mrs. Christine Bastin, you are the first choreographer

Motto

The French Academy The spirit is at the mercy of the body; like blind people at the mercy of their seeing aides. The body touches and does all; begins and achieves all. It is from the body that our true lights emanate, and even our only lights that are our needs and appetites,

A Continent Dreamt By An Island

A talk with Gelu Barbu Each artist who fulfils his destiny up to the zenith of glory becomes the founder of an island nostalgic about the continent. The creator does not represent a boastful, empty oneness but a world within a world. His original formula is achieved thanks

Gelu Barbu At 45 Years From The Debut

The ballet dancer who made his debut on the stage of the Kirov Theatre in Sankt Petersburg, prime ballet dancer at the Opera in Bucharest, then, after 1961, prime ballet dancer at the Norwegian Royal Opera in Oslo, decorated by King Olaf with the Constitution medal, first

Irinel Liciu - A Great Sensitivity And Its Fragility

I was touched and amazed to discover this skinny little girl, thin and long legged, who was doing her exercises in the ballet room with the concentration of a mature artist. The way she led her body had lost any trace of effort and it was describing meanings known only to

Lully

I dedicate these lines to the one we, her friends and colleagues, as well as fans, used to call – and still do – Lully. That is, Ileana Iliescu. She belongs to that pleiad of prima ballerinas who built the fame of Romanian ballet, shining from the beginning of the 1960s: