Rus

The legend is part of the martyr-cycle and it contains fairy tale elements (the dragons), which is not unusual in hagiography, as shown in the last chapter. It was copied by the parson Grigore from Mahaciu before 1600 after an original that has been lost. It is still preserved

In the field of iconography the rhetoric of the end manifested itself initially as a history of silences, the absence of the motif being possibly equally significant as its presence since, as Michel Vovelle demonstrated, images interest us as expression of a selective, oblique

excerpts The cosmic tree, whose root, trunk and branches uphold – by dividing yet uniting – the three cosmic levels, is the same as the funeral tree, because, to the folk mentality, the cosmic tree is the only passageway to the other realm that the soul of the dead

excerptsTHE WATER PIXY. Representations. The Water Pixy and the Human Head. The Water Pixy's Wraith. Stories. The Water Pixy in Other CulturesAccording to Romanian popular beliefs in Bucovina, the Water Pixy is a tall, heavily- built woman, some say as tall as a camel,

excerptsDEATHDeath, whom some mistake for Samodiva, Sila Samodiva or Salea Samodiva, is the invisible spirit that takes away any man's soul, irrespective of the fact that the latter is old or young, rich or poor, happy or unhappy with his life, at the moment when it

excerptsTHE LIFE OF MANDeath. The Signs of DeathDeath is no longer visible to people and dying men no longer are aware of their time like once; still, there exist certain premonitory signs that show one the moment has come to embark upon the journey with no return. Not everybody

Corneliu Bucur has been the manager of the ASTRA Museum of Traditional Folk Civilization since 1990. In 1965, he graduated the Babes Bolyai Faculty of History and Philosophy in Cluj. In 1981 he presented his doctoral thesis, with the following theme: Introduction in the

One of the landmarks of Moldavian-Wallachian simplicity is the diminutive character of Orthodox religious architecture. On a very serious note, a number of more or less serious researchers into the field of architecture, many of them under the metaphysical pressure coming

To the achievement of literary impact, Argeş Monastery comes up with a simple and ingenious solution: the absolute contrast between the soft and caressed tenderness of form, on the one side, and the wild graveness of the underlying tragedy, on the other. In the style and

excerpts1. Participation and RepetitionPerhaps the most significant difference between modern man and archaic man consists in this: for archaic man, a thing or an act acquires significance only in as much as it participates in a prototype, or in as much as it reiterates

Downstream on the wideArgesh River's sideNegru Voda's riding;Ten men go beside him:Masons, craftsmen fine, Masterbuilders – nine;Manoli makes ten,The greatest craftsman. Down this dale, they're boundTo erect and foundA monastery hall,A memorial. There, as

In his opening speech at the inauguration of the Village Museum, Professor D. Gusti said: …We did not have the example of open air museums from the northern countries, such as Skansen, Bigdo or Lillehammer. They convey us too much romantic and ethnographical merit, focusing