Rus

Marinel Ştefănescu - Interview, 2000

Marinel Ştefănescu graduated from the Choreographic School in Bucharest. He is awarded the 1st prize at the International Contest in Varna and the Special prize of the International Contest in Moscow. He becomes first dancer of the Opera House in Bucharest, being invited

The Spirit Of The Age

How is it possible that, neither in the century celebrated last year since Vaslav Nijinsky's birth, nor in the four decades commemorated this year, on the 8th of April, since his departure, no personality should have appeared to dispute the legendary ballet dancer and

Trends In Promoting Romanian Choreographic Art

It is the third consecutive year when the town of the Union becomes, for three days, the capital of Romanian Contemporary Ballet. Or even of the entire Romanian ballet, one might say, since there is no other reunion of national choreographic forces yet, either complementary

Adina Cezar - Interview, October 2002

Presently, Adina Cezar is a name in the field of choreography, by having created for three decades a sound nucleus of Romanian contemporary dance. Dancer, choreographer and artistic manager, Adina Cezar is a genuine, tenacious and dynamic searcher. Every moment she reorders

A Continent Dreamt By An Island

A talk with Gelu Barbu Each artist who fulfils his destiny up to the zenith of glory becomes the founder of an island nostalgic about the continent. The creator does not represent a boastful, empty oneness but a world within a world. His original formula is achieved thanks

Gelu Barbu At 45 Years From The Debut

The ballet dancer who made his debut on the stage of the Kirov Theatre in Sankt Petersburg, prime ballet dancer at the Opera in Bucharest, then, after 1961, prime ballet dancer at the Norwegian Royal Opera in Oslo, decorated by King Olaf with the Constitution medal, first

Irinel Liciu - A Great Sensitivity And Its Fragility

I was touched and amazed to discover this skinny little girl, thin and long legged, who was doing her exercises in the ballet room with the concentration of a mature artist. The way she led her body had lost any trace of effort and it was describing meanings known only to

Gabriel Popescu

A superstar of Romanian ballet in its golden era, when the light coming from the East would fashion great interpreters, Gabriel Popescu began the study of dance with the maestra Floria Capsali. He was hired by the Bucharest Opera in 1948, when he was 16, and in 1949 he was

Interview With Magdalena Popa

Art critics acclaimed Magdalena Popa: She is one of the most dazzling stars of the century. She was regarded as a goddess of this art. Her small body expressed grace, a sort of ritual noblesse. Born in Bucharest, she graduated from the High School of Choreography and then

Boris Kneazev

I owe much of my setting up as an artist to Boris Kneazev as well. There’s another aspect to consider. One can work enormously in ballet and never get proper parts. Or, there’s even a more dramatic situation, when one gets these parts and realizes that one doesn’t

Anton Romanowsky

Romanowsky was active in our country after the First World War, with several interruptions. These interruptions were caused by a series of frictions with some of the managers at the Romanian Opera House. Then, between the two world wars, the social context (the economical

Interview With Ioan Tugearu About Floria Capsali

You were one of Mrs. Capsali's students and on one occasion you confessed that you could talk about her excellence for days and days. This subject captivates me, it excites me, and at the same time it moves me because it's been 50 years since I met Floria Capsali.