Romani

After six years' work in the Sanitary Technical School I was admitted to the History of Art Institute. I was a researcher and I wasn't yet allowed to research the monuments of our medieval art I was so attracted to. Going through the pages of the history magazines

An interior made for appearance, fitting the extravagance of some poems In the beginning, gazing at the photos, I stood in the doorway and had the feeling of entering a house deserted by its owners, where I was left with the secret of its nature hidden inside the still

In 1951, the 'Slătineanu Collection' opened at No 3, Obedenaru Street. After crossing a garden bordered by big mosaic slabs, one reaches the building hosting the Collection. Two 18th century ewers warn the visitors that they will find numerous ceramic pieces indoors.

1947. The year of the most despotic deeds of the communist regime come to power in the shadow of the Soviet tanks. The ordeal of the Romanian intellectual elites (and not only) begins. The Slătineanu family find themselves treated like common criminals. The whole family

Member of the Academy Barbu Slătineanu was one of those people that draw your attention at first sight. The first time I met him was by chance: I was a doctor and I went to see his brother-in-law, Playno, who lived in the same house on Obedenaru street. Ever since, I considered

The chance passers-by through the quiet Cotroceni neighbourhood could discover, at the end of a well tended garden, a two-storey house with no other adornment than its iron-wrought latticework. What was strange was that leaning against the wall separating it from the house

The inauguration of the art collection Beatrice and Hrandt Avakian, held on a torrid day in August 1974, brought together an extremely numerous public. The exceptional interest manifested was owed to the fact that two siblings living in modest conditions, from hand to mouth,

22 Spătarului Street, Bucharest (see also in Romanian with illustration)  The siblings Béatrice and Hrandt Avakian set up their collections independently, nevertheless evincing a shared predilection towards Eastern art, to be accounted for among others, perhaps, by the

(see also in Romanian with illustration) Garabet (Garbis) Avachian (1907-1967) was an eminent violin professor with the Ciprian Porumbescu Conservatoire in Bucharest; among his students may be counted several laureates of international contests. This talented musician undoubtedly

I often meet people who are trying to sell a painting or some other work of art, claiming that it's a part of their collection. They are really mistaken. Every man furnishes his house according to his possibilities and his tastes. A rich man can have in his house paintings

Once, the art lover, strolling along the streets of Bucharest, would stop in front of certain houses – either known to him or not – that confined within their walls innumerable works of art. Around these art works there endured a name, that of the people who had gathered

The Eng. Dumitru Minovici Museum of Ancient Western Art at 3 Nicolae Minovici St. in Bucharest was born in June 1945 as a result of the donation made by Dumitru Minovici to the Romanian Academy. It is the only museum of the Romanian Academy in Bucharest. We will first present