Boris Kneazev
I owe much of my setting up as an artist to Boris Kneazev as well. There’s another aspect to consider. One can work enormously in ballet and never get proper parts. Or, there’s even a more dramatic situation, when one gets these parts and realizes that one doesn’t
Anton Romanowsky
Romanowsky was active in our country after the First World War, with several interruptions. These interruptions were caused by a series of frictions with some of the managers at the Romanian Opera House. Then, between the two world wars, the social context (the economical
Interview With Ioan Tugearu About Floria Capsali
You were one of Mrs. Capsali's students and on one occasion you confessed that you could talk about her excellence for days and days. This subject captivates me, it excites me, and at the same time it moves me because it's been 50 years since I met Floria Capsali.
Vivat Profesores! - Through The Looking Glass Of Time
There are chances in life. I have made mention of it before and will not hesitate to repeat it. To some of them we turn a blind eye; for others we may knowingly not have the just power of judgment and pondering. Or, that of turning something to good account. Floria Capsali
Floria Capsali - Musical Vibration Turned Movement
In the summer of 1982, as I was saying an emotional good-bye at Floria Capsali's deathbed, the whole mournful world felt we were witnessing the end of a living legend of Romanian dancing. Indeed, for over half a century (she was born in 1900 in the town of Bitolia,
From Marriage In the Carpathians To Romeo and Juliet
1921. End of the year. The Romanian State Opera House was established in Bucharest. 1938. The month of August. The young institution was holding, through its representatives, master Floria Capsali to its bosom, who was employed on that occasion to nurture the destiny of
Argument
A first attempt at collecting in a book texts on personalities of Romanian dance or who have spent a decisive stage in their formation within the framework and in the atmosphere of a Romanian school is bound to be controversial. Although partial and subjective, the present
Editor's Note
The origins of dance are prehistoric, but rhythm, mimetism, balance, harmony, grace have gradually turned into a genuine art, perhaps the most liberating. The art of dance requires countless qualities: talent, musicality and musical culture, good physical shape and endurance,
Facing Their Faces
Do Romanians look in a particular way, precisely as Romanians, and not merely as people of their own times? The answer to such a question of image, apparently simpler than the one to the proper being of the Romanians, is actually much more difficult. And this basically because
Says Petre Ţuţea
The Balkans are Europe's ass. The Romanian language has complete virtues, that is, it can be the vehicle of anything spiritual created by man. It is very hard to use. With it, one may become an eagle or a lectern singer. The Romanian language has all the axiological
The Dialectics Of National Self-Criticism
Some time in the autumn of 1994, Sorin Alexandrescu asked in an interview in 22 magazine why, in the canonical battle between the various radical-democrat and nationalist structures of the opposition (and of the government), more attention is not paid to the real traditions
Quote
I am overcome with horror at the thought that we, Romanians, are facing 'eternity': the proverb. We enter other nations' proverbs like the Scotsman, the Irishman, the Jew, and – in the Balkan Peninsula – the Gypsy. We've brought shame upon ourselves,