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I once experienced a terrible fright. I woke up one day to discover a different world from what I knew it to be, more clear-cut, more plainly divided into complementary colors and opposite moral categories. It all looked like in a naive painting: clear and graphic. The only

Ever since I had known him (and there are many, many years since then, almost four), Georgica is profoundly dissatisfied with the fact he doesn't have a moustache, like every man, and isn't allowed yet to manage by himself. Why, Georgica wonders, why do you have

Due to a perverse intellectual precocity, Barutzu confuses literature with lard. . . You'll get a D in Romanian! Daddikins shouted at him, offended in his pedagogy. Barutzu feels no emotion whatever. He aberrantly lacks the common sense of merit, the patriotism of class

excerpts A Streetcar Named Popescu is a community theater show. The script by stage director Gavriil PINTE (b. 1961) is based on works by Cristian POPESCU (1959-1995). The show begins at a streetcar stop with the audience getting on the streetcar. Then the streetcar joins

www. teatrultandarica. ro ŢĂNDĂRICĂ theatre was founded in 1945 and its first department (that of marionettes) was led by actress Lucia Calomeri, helped by scenographers Elena Pătrăşcanu, Alexandru Brătăşanu, Lena Costache and Ileana Popescu. Director Nicolae

The first traces of puppets were revealed by the archeological diggings of Cucuteni, Jassy county (and later in other areas). Sites from the Neolithic (6. 000-3. 000 B. C. ) have been examined and numerous figures made of bone or clay, which were probably used for religious

The echo of the rich activity of Romanian theater for children on four continents has surpassed even that of theater for adults. This was possible because, in 1965, eleven countries, including Romania, founded in Paris, ASSITEJ – the International Association of Theater

www. teatrulioncreanga. ro Manager of Ion Creangă Theatre Ion Creangă is a children's theater whose shows are inspired from fundamental themes of childhood mythology and oriented towards culture and education. The current repertoire includes: Pinocchio, Puss in Boots,

click here to see trailer Present-day Romanian film lives a new childhood, if we consider at least the representatives of the New Wave, who are young and very young film directors with ages between 20 and 30. That is why their films are naïve, very close to childhood or

In 1954, the great Romanian ethnomusicologist Constantin Brăiloiu (1893-1958) held a scientific presentation at Colloque de Wegimont in Belgium that amazed all specialists present in the audience, because it unsettled all theories regarding the musical culture of children

Winters in Ramnicu Valcea were quite mild in those times, though there was plenty of snow (I guess this is the cliché of those whose childhood memories are blurred by their excessive subjectivity); anyway, they unfolded following a certain ritual: at the beginning of December

excerpts In 1888, popular health magazines would dedicate generous coverage to children's games, at the top of their education column. The main endeavor of parents must reside in the education of their infants from their very first day of life onwards, for health,