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Mihai Babuşka - Interview

I know you don't like to talk about yourself and your successes. You were telling me some time ago about a certain maturation of verbal expression that, with dancers, develops in time in parallel with motile expression.  I noticed that we, dancers, do a lot of things

Corina Dumitrescu - Interview

A few years elapsed from our last interview – enough for a change of viewpoint in retrospect. What do you think was more important in your career: school, college or practicing at the theatre? I'm asking this considering the common perception according to which most

1996 - Two International Awards

With good reason, Ion Caramitru, the new minister of culture, said in a recent television show that, if from the political and economic viewpoints we must still make efforts to align to the European standards, from the cultural point of view we have been in the European

Trends In Promoting Romanian Choreographic Art

It is the third consecutive year when the town of the Union becomes, for three days, the capital of Romanian Contemporary Ballet. Or even of the entire Romanian ballet, one might say, since there is no other reunion of national choreographic forces yet, either complementary

George Iancu - Interview

The stars of ballet travel almost ceaselessly: Paris today, Rome or Buenos Aires tomorrow, then prepare for a new destination. Gheorghe Iancu, dancer of Romanian origin, settled in Milan 24 years ago, is one of these Guest Stars. His body's sculptural perfection, his

A Continent Dreamt By An Island

A talk with Gelu Barbu Each artist who fulfils his destiny up to the zenith of glory becomes the founder of an island nostalgic about the continent. The creator does not represent a boastful, empty oneness but a world within a world. His original formula is achieved thanks

Gelu Barbu At 45 Years From The Debut

The ballet dancer who made his debut on the stage of the Kirov Theatre in Sankt Petersburg, prime ballet dancer at the Opera in Bucharest, then, after 1961, prime ballet dancer at the Norwegian Royal Opera in Oslo, decorated by King Olaf with the Constitution medal, first

Irinel Liciu - A Great Sensitivity And Its Fragility

I was touched and amazed to discover this skinny little girl, thin and long legged, who was doing her exercises in the ballet room with the concentration of a mature artist. The way she led her body had lost any trace of effort and it was describing meanings known only to

Gabriel Popescu

A superstar of Romanian ballet in its golden era, when the light coming from the East would fashion great interpreters, Gabriel Popescu began the study of dance with the maestra Floria Capsali. He was hired by the Bucharest Opera in 1948, when he was 16, and in 1949 he was

From Marriage In the Carpathians To Romeo and Juliet

1921. End of the year. The Romanian State Opera House was established in Bucharest. 1938. The month of August. The young institution was holding, through its representatives, master Floria Capsali to its bosom, who was employed on that occasion to nurture the destiny of

Editor's Note

The origins of dance are prehistoric, but rhythm, mimetism, balance, harmony, grace have gradually turned into a genuine art, perhaps the most liberating. The art of dance requires countless qualities: talent, musicality and musical culture, good physical shape and endurance,

The Music Look

Alexandru Ţipoia (1914, Snagov, Romania – 1993, Geneva, Switzerland) is a rather less known painter even in Romania. This basically because of his pertaining to a limited category of artists whose career started in the most troubled years of World War II. Moreover, he