Relations

I will begin by quoting myself. Talking about the polemics between two people whose intelligence and moral stature I admire (the polemics took place, in its major parts, in the very pages of the 22 magazine), I used to say with a certain regret and doubtfulness: On whose

excerpts There are quite a few psychological complexes which seem to shape nowadays the popular, maybe even intellectual mentalities and to badly distort people's behavior, as well as their political judgments. It won't hurt pointing our finger at them, speaking

In D. Draghicescu's terms, this transactional spirit (Cough up more, sir! – Knock some off, mister!, as a folk saying goes) is the legacy of the Orient, a stamp of the Levant on our past, present and, presumably, future. In this key, the transaction points to a polymorphous

Chapter XI. The Reforms of Romanian Institutions and their Psychological Consequences If, by using a certain amount of imagination, logic and common-sense, we reconstruct mentally what Romanians' life in the Carpathian or Balkan Mountains might have been, we easily

Chapter IIROMANIANISM AND AUTOCHTHONISMexcerpts Continuing the clash of ideas of the previous decades, the 1930s too witnessed a confrontation on the evolution formula of the Romanian make-up. Two directions were pitted against each other. One favorable to the maintenance

Foreword The few words that I put as motto at the beginning of this book can be translated like this: God must have had a hidden plan for this people that the western states rediscovered on the banks of the Danube and adopted like Pharaoh's daughter adopted Moses.

Toward the end of the Middle Ages, the Romanians, until then living in their traditional peasant autonomies, which stand for an entire, complete political order with archaic roots, arrived, after the abolition of anarchy, at their boundaries and, on one side, because of

Now and then, some people group together to form a team. They do it in order to set up a company, to enact a play, or to make music. They can manage by themselves as long as a family business, a play with quite a few characters or an evening of chamber music is concerned.

Corneliu MICHAILESCU (Bucharest, 1887-Bucharest, 1965) is one of the less known Romanian avant-garde artists, with a particular although somehow exemplar creative itinerary. Despite his relatively long life and apparently static development, he is one of the rare Romanian

In a recent French translation Old-Court Philanderers have made quite a sensation. Different from Panait Istrati whose epic caught our attention, Mateiu I. Caragiale is not so good at describing a certain medium; his force lies in his rhythm, his intimate thrill, his sentence

Mateiu Caragiale left us a literary heritage, fragmentary in its outlook that puzzled and amazed through its originality, through an appetite for mystery it seemed to originate in, through the secret inspiration that fed it and through its old-fashioned lyricism which was

*More than a century ago Europe was not yet known as a cultural construction, an intellectual day-dream, a heap of broken images, a copy in a world without originals. Artists tried to escape the big fortress ensconced in coal smog and torn by wars, social conflicts, and