Concurs pentru ocuparea unor posturi
Institutul Cultural Român, cu sediul în Bucureşti, Aleea Alexandru nr. 38, sector 1, organizează, în perioada 9-14 decembrie 2010, concurs pentru ocuparea următoarelor posturi vacante, cu respectarea prevederilor O. U. G 34/ 2009, art. 22 (2), privind încadrarea în
Enesco Re-Imagined by Lucian Ban & John Hébert @ Teatrul Odeon
Trust us; this kind of night only happens once every three centuries. - Stacey Anderson, Village Voice NY Pianistul Lucian Ban, împreună cu renumitul contrabasist de jazz John Hébert, îşi asumă moştenirea muzicală a lui George Enescu într-o reimaginare contemporană,
VENEȚIA. AȘKIA și Stardust Architects participă anul acesta la BASE Milano, în cadrul Milano Design Week
Institutul Cultural Român, prin reprezentanța sa din Veneția, alături de Romanian Design Week și The Institute au demarat anul acesta un parteneriat cu BASE Milano, parte din Milano Design Week, cu scopul de a susține și promova designul și creativitatea românească
Lettre Internationale nr. 110 / vara 2019
Vă prezentăm noul număr, 110 / 2019, al revistei Lettre Internationale. Din sumar:Retrospective Șerban Pavelescu – Determinări istorice şi etnice ale crizei ucrainene . . . . . . . . . . . . . . . . . . 3 Rodica Binder – Datoria de a fi de stânga, libertatea
Why Animalia
Animals have well-defined pigeonholes assigned by the traditional Romanian mindset. From wee to huge, all creatures are cast in distinct roles that any inhabitant of temperate geographical areas will recognize: hardworking as an ant (or bee), stupid as a goose, haughty as
Blizzard In Bucharest
a fragment from The Blind, Chapter Two of Corpuri de iluminat/ Dark Bodies Through Sfântul Ştefan, beyond the old Height and over the tramline in Bărăţiei, a phanariot and decayed Bucharest drained under the snow; a balcony fallen onto its side reminds you that once,
Once ...
The Cries of BucharestCities have their own special humming. Church bells, tram noises, horses, sergeants' whistles, car horns (banned in Bucharest), dogs barking, army trumpets, and so on, and so on – all combined, heard from a distance, forming a characteristic
The Romanian Nation
Very few people today will remember a famous newspaper that used to appear at some point in the capital, during the war of independence. I mean here 'The Romanian Nation' that Frédéric Damé and I published together. The life of that paper was as short as it
Political Diary 1939-1941
Paris, February 7th, 1939The phone wakes me up: it's George, who calls me from Algiers. He keeps waiting for his plane to be repaired. The thought that he left on an old jade – as he says – worries me. I remember my mother-in-law's words and I agree with her:
Sergiu Anghel
I made my debut in 1974. I had graduated from high school the year before and in the summer of '73 Adina Cezar, Nataşa Trăistaru, Anca Mândrescu, Cristian Crăciun and I decided to establish a contemporary dance troupe. As far as I am concerned, the decision to put
Marinel Ştefănescu - Interview, 2000
Marinel Ştefănescu graduated from the Choreographic School in Bucharest. He is awarded the 1st prize at the International Contest in Varna and the Special prize of the International Contest in Moscow. He becomes first dancer of the Opera House in Bucharest, being invited
The Psychology Of The Romanian People
Chapter IX. The Romanians' Religion and CultureIt has been said and very often repeated that the Christian church and religion saved our nation and country from destruction. This is a statement too often made and too little controlled. With as much grounds one may state