Programme

On 20 November 1921 an enthusiastic letter written by the poet Cincinat Pavelescu is published in Rampa, a letter which we see fit to transcribe in full: Dear Mr. Editor in Chief, My life's absorbing activities of incessant work at the head of a newspaper without any

In an obituary published in the Tages Anzeiger of Zurich, Mario Gerteis draws a suggestive portrait of Celibidache in his youth. A nervous fiery ball, halfway between histrionics and insight, between passion and obsession. His dark locks hanging over his face in disorder,

I cannot think of a more fortunate coincidence: this is the first time I have visited Paris in May and the show is extraordinary. I know somebody who keeps a dried chestnut flower between the covers of a notebook, a flower that he has picked up from the sidewalk in Cluny

For centuries now, every once in three years, The Feast of Immortality – Kumbh Mela, takes place alternatively in four Indian centers : Allahabad and Hardwar (Uttar Pradesh state), Ujjain (Madhya Pradesh) and Nasik (Maharashtra). Descending from Vedic mythology, the feast

The museum is the beneficiary of the patrimony, programme, theme and structure of the Asociaţiunea (Association) Museum. The latter was the first museum of the Romanians in Transylvania, opened in 1905, then closed in 1950 out of political reasons. Inaugurated in 1993,

excerpt  These lines will introduce us into the international career of the great violin virtuoso. At the height of his career, Grigoraş Dinicu carried across the world the fame of Romanian fiddlers and of the rich Romanian folk song. After the creation of the Bucharest

excerpt In the town square, behind Gustav Café, there is the variety entertainment ale-house with the strange name Bucharest Hotel (it has room only for women-artists), Mr. Cocoşel's winter public house. Ancient house, rather long and low, the hotel twinkles its

In White Moor by Ion Creangă, the Rabelais-tinged philosophy of Gaster (the Belly), (Mikhail Bakhtin) represents one of the tests the main character has to pass in order to marry the daughter of the Red Emperor. As in any fairy-tale, be it in its cultivated variant, nothing

European travelers such as Antonio Maria del Chiaro were struck long time ago by the uncommon abundance of woolen carpets in each Romanian home, be it aristocratic, bourgeois or peasant. Carpets were laid mainly onto the walls of the rooms, but they also covered the beds,

In the field of iconography the rhetoric of the end manifested itself initially as a history of silences, the absence of the motif being possibly equally significant as its presence since, as Michel Vovelle demonstrated, images interest us as expression of a selective, oblique

Some of the readers of this book may very well not go beyond the first part. Actually, they may not go through with their reading at all. Despite the efforts of our predecessors, from Conachi and Negruzzi to Creanga, from Rebreanu to Bogza and young Eliade, joined, after

excerpts  I passed the entrance exam in philology at Cluj, but I was already bored after my freshman year. I had the best results in my class, but that was not my place. Whenever I danced at parties, and I felt the boys' knees splitting my legs through my dress, my