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Conductor Constantin Silvestri's first contact with the music of the Occidental world represented a shock because the entire classical and modern music deeply imprinted on the consciousness of the public was utterly shaken by a new, contemporary, vital spark of the

Aida, March 17, 1920. I waited for it. With the justifiable, feverish impatience you feel before an ideal dream comes true!, wrote the Rampa magazine on March 18, 1920, hailing the opening of the first lyrical season. People liked the cheap, but very beautiful stage design,

Of all the great 20th century conductors, Egizio Massini was the only one who distinguished himself equally in three different fields (opera, symphonic music, and fanfare). Even if he made tours abroad conducting all threes types of music, opera was the genre that distinguished

After almost a century of symphonic music in Romania (as early as in 1846-1848, the first symphonic concerts changed the artistic life of Bucharest), after three quarters of a century since the establishment of the first philharmonic in Bucharest (1868), a magician appeared

A Slavic population whose state construction is very recent, the Czechs and Slovaks represent a minority in Romania; they have brought respect for labor and education in our country, as well as a vigorous religious faith.  Short history The Slovaks settled on the current

Through the centuries, the spiritual connection between Armenians and Romanians has been very close as far as the Romanian musical culture is concerned. It's enough to remember Carol Mikuli, Mihail Jora, Matei Socor, Emanoil Ciomac, Sergiu Malagamba, Nicolae Buicliu,

LES FANARIOTES DANS LES PRINCIPAUTES ET LES PREMIERES RELATIONS DES MOLDO-VALAQUES AVEC LES RUSSESAprès la prise de Constantinople par Mahomet II, les Grecs du Fanar, habitants de cette ville, et d'autres Grecs de la Roumélie, émigrèrent dans les différentes contrées

www. teatrultandarica. ro ŢĂNDĂRICĂ theatre was founded in 1945 and its first department (that of marionettes) was led by actress Lucia Calomeri, helped by scenographers Elena Pătrăşcanu, Alexandru Brătăşanu, Lena Costache and Ileana Popescu. Director Nicolae

Gopo's Little Man (see Short History - click on Scurta istorie to see movie) I have been studying the Gopo archive belonging to the National Film Archive for some years, and now the first volume goes to print. It contains only a part of the legacy left by the film genius,