Pian

excerptTHE CREATION WORK (1715) When he spoke to Aaron Juda Hartman, the rabbi from Spain, the one who had diplomas from Paris and Tripoli, driven to Peloponnesus to look after his poor relatives but also to take care, unimpeded by anyone, in a dusty room heated by the

On some days I feel universal when listening to Hora în căruţă (Jig in the Cart); I can even picture a cart then, all its joints rattling among the frozen missiles of the world. I get dizzy and a teardrop warms up the Murmansk under my eyelids. Hora Stacatto (Stacatto

The dancing tea partyGuţă Mereuţă was indeed waiting, sad, with a proboscidean long nose. He couldn't dance. He had nothing in appearance or in speech that could have attracted a woman. His eyes pushed aside, towards the temples, by the broad root of the olfactory

excerpt  These lines will introduce us into the international career of the great violin virtuoso. At the height of his career, Grigoraş Dinicu carried across the world the fame of Romanian fiddlers and of the rich Romanian folk song. After the creation of the Bucharest

excerpt In the town square, behind Gustav Café, there is the variety entertainment ale-house with the strange name Bucharest Hotel (it has room only for women-artists), Mr. Cocoşel's winter public house. Ancient house, rather long and low, the hotel twinkles its

I once saw a wounded crane, dying, on the edge of a forest where he had fallen while his friends were dashing away to the horizon, like a black arrow. The bright eye that ripped the horizon was shaded little by little, his long, powerful legs were sinking into the dust,

In White Moor by Ion Creangă, the Rabelais-tinged philosophy of Gaster (the Belly), (Mikhail Bakhtin) represents one of the tests the main character has to pass in order to marry the daughter of the Red Emperor. As in any fairy-tale, be it in its cultivated variant, nothing

In General Ionescu's garden, the April dusk brought a harsh wind and sprayed dust in the horizon like a bluish mist, spreading heaps of apricot tree flowers over the fresh vegetable beds. Ion, the general's first orderly, in charge of sweeping the flowers laid

In the field of iconography the rhetoric of the end manifested itself initially as a history of silences, the absence of the motif being possibly equally significant as its presence since, as Michel Vovelle demonstrated, images interest us as expression of a selective, oblique

We have been acquainted with the fundamental myths of Romanian spirituality in Mircea Eliade's view and read his comments on the legend of Master Manole, the legend which, according to Eliade, certifies that myth is essential to the process of artistic creation, and

Healing plants grow under Christ's cross and out of the blood of our Saviour. People in Germany and Norway believe that the grass of Sânziene (Hypericum) grew roots from the Saviour's blood drops. Other legends tell that the same plant was born from the blood

Emil Popescu was an architect. His specialty was the oil factories and we can say, without any exaggeration, that wherever in the country an oil factory had been built in the last five or six years, one could easily tell it was the work of architect Popescu's skilled