Cuando Estoy En El Tablado Es Como Si Estuviera En Un Templo
Entrevista con y sobre GELU BARBUpublicada en CURIERUL ROMÂNESC(El Mensajero rumano)Año XV, nr. 10 (201), octubre de 2003 El arte del espectáculo auténtico es y seguirá siendo un mundo fascinante, por doquiera y cuando quiera, que a todos nos hace falta. El espejismo
Playing With The Past
A Word with Two Meanings We invent words, then let ourselves be subjugated by them. There would be no knowledge without words, but it is words again that grow into independent entities, obstacles that come between us and the real world. They move us closer to and at the
The New Man
An Individual without Individualism To a new society – a new man. Naturally, one would not fancy a communist world inhabited by middle-class people in disguise. That was the most delicate problem raised by transformist mythology. One could not rebuild the economy and
The Eroticized Universe
The Bucharest Surrealist Group1939-1947* […] Madness, black humor, dreams, eroticism, revolt: if one cannot speak of Unu (One) and Alge (Algae) as surrealist magazines in the strict sense, these themes indicate however the increasing attraction of a number of Romanian
For Writers Are All Jesters, And All The Jests Together: Literature
For writers are all jesters, and all the jests together: Literature In the history of literature, Tristan Tzara is regarded as the founder of Dada, an international literary and artistic movement, born in Zurich in 1916, with ramifications and outposts across three continents.
1922-1928
1922-1928. The Beginnings. Magazines and Manifestos. The Intellectual International. The Theorizing Machines. 75 HP – the New Start of the Romanian Avant-garde. Integralism and Synthesis. Synchronism and Internationalism The first avant-garde magazines and manifestos
The Accident
excerptStanding in front of the Corso building on Calea Victoriei one day, he felt someone's familiar gaze follow him from across the street, as if to catch his eye. He crossed over, as though answering a call, and discovered a picture of Ann among several other portraits
Bucharest As An Alternative Space
It may be said about some cities that they are theatrical; that – in other words – they look like a stage set. Take, for instance, Venice or Naples. It may be only an illusion, however, given a host of plays by Goldoni or Eduardo de Filippo whose plots revolve around
What We See
excerpts …Once, when his wife's condition showed signs of deterioration, Marcu entered the Sfînta Vineri church, on his way home from the shops he had called at to collect his rents. He prayed a long time and fervently, though he could hardly concentrate, choking
Chronicles Of An Optimist
excerpts NOISES OF THE CAPITAL For reasons I cannot exactly explain, the flow of ideas circulated by the independent press has strikingly dwindled to a mere trickle. One can only put it down to the times of fatigued irritation we are living through as we wait for the much
Magic Lantern Projections: A Dialogue With Octogenarian Actress Dina Cocea, Honorary Citizen Of Bucharest
The oldest recollections of actors of your generation used to begin with the scene of a provincial school festival: the future star winning a well-known, sympathetic audience made up of parents, grandparents, family friends, touched aunts. The memory of past reality is overwhelmed
Inferiority Complex On The Dâmboviţa Riverbanks
There existed in cultural Bucharest between the world wars a sort of upside-down provincialism that believed only in the City of Light: What's new in Paris? There was always something new to talk about, even if, in some cases, the new from Paris had been seen around