Paris

If his consuming passion for art gained Krikor Zambaccian a familiar fame amongst the collectors in Bucharest, particularly by dint of his acquisitions in the field or foreign art, few know that his younger brother, Onic (1891-1975), yet another aficionado of beauty, was

Krikor H. ZAMBACCIAN (1889-1962) was born in an Armenian family that had long before settled in Constanta on the Romanian Black Sea coast. From 1907 he attended commerce colleges in Antwerp and Paris, where he became acquainted with western art and met Matisse, Dufy, Derrain,

Director, Museum of Art Collections A magic and impartial destiny decided that, at the celebration of a century since the materialization of the idea of art collection and art collector, the reopening of a Palace of Collections should take place. An initiative, disputed

In 1951, the 'Slătineanu Collection' opened at No 3, Obedenaru Street. After crossing a garden bordered by big mosaic slabs, one reaches the building hosting the Collection. Two 18th century ewers warn the visitors that they will find numerous ceramic pieces indoors.

1947. The year of the most despotic deeds of the communist regime come to power in the shadow of the Soviet tanks. The ordeal of the Romanian intellectual elites (and not only) begins. The Slătineanu family find themselves treated like common criminals. The whole family

The chance passers-by through the quiet Cotroceni neighbourhood could discover, at the end of a well tended garden, a two-storey house with no other adornment than its iron-wrought latticework. What was strange was that leaning against the wall separating it from the house

The reader will remember, if I draw his attention thereto, that the magnetic attraction exerted by the Hrandt and Rose Avakian home on me during my teenage years originated in the Eastern art statuettes particularly present on the cants, albeit not only there, but rather

22 Spătarului Street, Bucharest (see also in Romanian with illustration)  The siblings Béatrice and Hrandt Avakian set up their collections independently, nevertheless evincing a shared predilection towards Eastern art, to be accounted for among others, perhaps, by the

(see also in Romanian with illustration) Garabet (Garbis) Avachian (1907-1967) was an eminent violin professor with the Ciprian Porumbescu Conservatoire in Bucharest; among his students may be counted several laureates of international contests. This talented musician undoubtedly

The Eng. Dumitru Minovici Museum of Ancient Western Art at 3 Nicolae Minovici St. in Bucharest was born in June 1945 as a result of the donation made by Dumitru Minovici to the Romanian Academy. It is the only museum of the Romanian Academy in Bucharest. We will first present

Virgil Cioflec, later to become a writer and a collector, stands out amongst the moral and financial supporters of the initiators and founders of Artistic Youth Society (December 1901). With some of its founders, Gheorghe Petraşcu, Ştefan Popescu, Kimon Loghi, Ipolit Strâmbulescu

Simu Museum A conservative MP in the 1888, 1891 and 1899 parliament sessions, Anastasie Simu finally became tired of the Machiavellian political life in Romania at the end of the 19th century; realising he had no prospects to achieve momentous social and cultural events