Paris

You have turned the antic into the modern, Rousseau le Douannier once told Brâncuşi. Those words complete very accurately the characterization suggested by Dan Hāulicā: He produced the century's purest classicism out of the exotic. [1] The Romanian sculptor

It comes as no surprise that a genuinely encyclopedic spirit of Nicolae Iorga's caliber, conversant with history, literature, religion, church, army, commerce, education, trades, guilds, arts, etc. , etc. , should be passionate about music. His existence was markedly

When at only 19, Nicolae Iorga (1871-1940) defended his university degree examinations one of his examining professors characterized him as a true phenomenon both in point of memory and power of ratiocination. Then Iorga worked hard in Paris and in Germany, obtaining a

We think too often that a museum is a repository where you discard all sorts of objects. Arts, history, natural sciences, technology, curiosities. You place exhibits from all these domains into bright and spacious halls; you range them nicely one next to the other and sometimes

Let us not be deceived by articles and books issued by courtesy or for which we pay, and this so seldom. We are not loved abroad. Even if people remember the fine welcome we give people – which is so comprehensive according to the customs, and at times even sufficiently

Among the elements making up the soulful repository of the Romanian people there is none to include more and to bespeak truer than its very language. In connection with this Romanian idiom – which, with due additions, proved apt to voice any idea, no matter how lofty,

A few years ago, among the most brilliant students of our University was a young man named Coriolan Drăgănescu. He was the possessor of a brisk intelligence, a character of bronze, and the temperament of a hero; besides, nature had endowed him with an oratory talent impossible

It's all set! On Saturday I am to deliver a speech in the plenary meeting of the SPDRM. There's no way out: I did, in a moment of utter weakness, promise an old friend of mine, Mrs. Parigoridi – so it is now for me a matter of conscience, of honour, of heart

Women artists (originally women-painters) became a reality in Romanian culture only by the turn of the 20th century. Barely having an artistic tradition of the western kind (that is, academic), the national cultural milieu in the 19th century was rather deprived of a professionally

At the same time, the great Russian also remarked that woman is always what we want to make of her. Femininity triggers off creative energies. Through it, the Author dominates the epic matter, and this helps him complete his plan, plot, work. Femininity delays the end by

excerpts CHAPTER IMother's Poor Little Things Mara, bless her heart, was now a widow with two children, poor little things, but she was young and healthy and hard-working, and God allowed that she got lucky again. As a matter of fact, when he lived, Bârzovanu, her

The bibliography of my works I threw into the pyre included a 125-pages psychoanalytical study about Iulia Hasdeu. I had discovered her diaristic notes at the State Archives. They were then, and still are, a novelty, and perhaps a sensational thing; I'm talking about