Palat

top row: Lipscani diggings, Unirea shoping center, house in Romanian Peasant Museum yard, National Museum of Contemporary Art bottom row: Collections Museum on Calea Victoriei, University Sq. , dilapidated building on Lipscani St. , old house on Mantuleasa St. It seems

El Festival George Enescu ha llegado a ser en la vida de muchos de nosotros un punto de referencia de mayor importancia. Esperado siempre con impaciencia, nos reúne, nos suscita el sentido estético, nos incita a comparaciones o evaluaciones, nos implica y nos compromete

Visiting cities, a consumer tourist practice, is usually presented in the same image wrapping like shopping in a boutique, or attending to a show: one goes for the glossiest package, the funniest label, the wildest excitement vouched for. As a tourist product, a city is

Reporter: You returned to the company that made you famous, the company that you are emotionally attached to and where we hope you will return. I'd suggest that we should evoke the circumstances in which you arrived at the Ballet Company called Fantasio then [in the

excerpts Que voulez-vous, nous sommes ici aux portes de l'Orient, où tout est pris à la légère. Raymond Poincaré*Welcoming the Philanderers…au tapis-franc nous étions réunis. L. Protat**Although no further than the night before I had promised myself under

The news that a German foundation offered me, many years ago, a scholarship to Heidelberg gave me an incommensurable joy and an unrestrained curiosity of knowing places that, for a very long time, I could only associate with the plot of Wilhelm Meyer Förster's play.

excerptsVienna, December 1838 Extra Hungariam non est vita, si est vita, non est ita.  Vienna and Bucharest! Oh, what a difference between these two cities! Like the sun and the planets is this Capital surrounded by adequate corollaries stretching to the margins of the

excerpts Chapter XV. Scenes of Social Life The beautiful autumn days of the year 1817 had already flitted along with the joys they bring to pass for the inhabitants of Romania. Winter had made quite an early appearance and the western wind had by now started to blow in

In the field of iconography the rhetoric of the end manifested itself initially as a history of silences, the absence of the motif being possibly equally significant as its presence since, as Michel Vovelle demonstrated, images interest us as expression of a selective, oblique

excerpt23 Anghel is standing in the gateway. His house lies outside the barbed-wire fence surrounding the grounds of the Water House. It's true that his yard becomes indistinct as the grounds begin, but the front of his house is surrounded by a wall standing one meter

I had known Cucoanesh as far back as the first high school years, but we had never made friends. In university, I lost touch with him. I only learnt that he entered the PolytechnicUniversity. Meeting him, by accident, in a tobacconist's, he told me that he had graduated

It was not easy for Romanian literature to evolve up to Ioana Bradea's novel, to its so provokingly violent title (itself a sophisticated, impudent blend of meanings and connotations as long as the dictionary designates just one object: a pipe)! And to think that once