Oslo

SUMAR NR. 64 Pagini autobiografice Péter Esterházy – Harmonia cælestis Ion Vianu – Supunere, împotrivire, exil Dincolo de eveniment Jacques Rupnik – Populismul în Europa Centrală şi de Est Jacek Kochanowicz – Virajul la Dreapta Cultura – cardiograme

A French historian said once that the work you would best like to dedicate your time to is the one that seems to compel you to do so. This is what happens to me right now. Urged by a real passion for knowing the events and forerunners that once lived in this place, I have

UNDER THE QUESTION MARK: MAN If you were asked to portray yourself as you did in your books, diaries, or in Present Past, Past Present, how would you introduce yourself? Eugène IONESCO: It is very complicated. I don't know. I don't know who I am. I don't

Sometimes I happen to have beautiful utopian dreams. Sometimes I dream that it was not Lenin in that sealed car crossing Germany and going to Russia in 1917, rather there were three or four odious American capitalists: Russia, Europe would have been saved. Imagine all those

We think too often that a museum is a repository where you discard all sorts of objects. Arts, history, natural sciences, technology, curiosities. You place exhibits from all these domains into bright and spacious halls; you range them nicely one next to the other and sometimes

* Excerpts from an interview with prose writer, political analyst and journalist Stelian TĂNASE (Observator cultural no. 121, 18-24 June 2002) Why did you choose to publish At Home We Speak in Whispers at this particular moment? Books come and go in a writer's imagination.

Paris, February 7th, 1939The phone wakes me up: it's George, who calls me from Algiers. He keeps waiting for his plane to be repaired. The thought that he left on an old jade – as he says – worries me. I remember my mother-in-law's words and I agree with her:

A talk with Gelu Barbu Each artist who fulfils his destiny up to the zenith of glory becomes the founder of an island nostalgic about the continent. The creator does not represent a boastful, empty oneness but a world within a world. His original formula is achieved thanks

The ballet dancer who made his debut on the stage of the Kirov Theatre in Sankt Petersburg, prime ballet dancer at the Opera in Bucharest, then, after 1961, prime ballet dancer at the Norwegian Royal Opera in Oslo, decorated by King Olaf with the Constitution medal, first

In the summer of 1982, as I was saying an emotional good-bye at Floria Capsali's deathbed, the whole mournful world felt we were witnessing the end of a living legend of Romanian dancing. Indeed, for over half a century (she was born in 1900 in the town of Bitolia,

Born: October 18, 1946 in Brasov, Romania Studies: MusicHigh School in Brasov; Academy of Music, Bucharest (Professor Constantin Bugeanu – conducting, Professor Stefan Niculescu – composition); Academy of Music, Vienna (Professors: Hans Swarowsky and Karl Oesterreicher;Mastership

Aida, March 17, 1920. I waited for it. With the justifiable, feverish impatience you feel before an ideal dream comes true!, wrote the Rampa magazine on March 18, 1920, hailing the opening of the first lyrical season. People liked the cheap, but very beautiful stage design,