Cristina Chevereşan - Wounds and Deceptions. Decadent and Modernist sensitives on the edge, 2006, 328 p.
Fin-de-siecle offers inestimable keys for the understanding of the emergence of a literary age that has never lost its defining profile. Coming from the outposts of Third Millennium post-modernism, Wounded Identities looks at mysteries that a century ago led towards the
The Skeptical Friend
How can you refute the arguments of the visiting friend who thinks that Bucharest is a city like any other and that besides the classical sightseeing there is nothing much to see? First you should draw up a list with all the things that impressed you in the capital: pubs,
Miniatures From Bucharest
Statuary art gallery in open airIn Bucharest, there are lots of boulevards, streets, buildings that have become so familiar to us that we almost no longer see their beauty, originality, uniqueness. . . It is like being in the middle of an enchanting park that you admire,
Nature And Architecture: The Parks And Gardens Of The Capital
Cismigiu gardens, Icoanei park, Kiseleff park (see also The green within in Gallery). Many of Bucharest’s gardens and parks, which no longer exist because of extensive urban reorganising, were shaped as the aristocracy tastefully redesigned the open space around their
Urban Memory: Museums Of The Romanian Capital
1st row: National History Museum, Old Court Museum, Archeology Museum (detail), National Museum of Art2nd row: Collections Museum, Zambaccian Museum, Theodor Aman Museum, Gh. Tattarescu Museum 3rd row: Storck Museum, Romanian Peasant Museum, Astronomical Observatory (detail),
Exitos Liricos Rumanos En España: Viorica Cortez
“Enciclopedia de una carrera” por Adolf Armbruster Barcelona, Gran Teatro del LiceoG. Donizetti: La Favorita / el papel: Leonora di GuzmanDirector de orquesta: Adolfo Camozzo / Director de escena: Diego Monjocon: Jaime Aragall / Luigi Ottolini (23 de noviembre), Vicente
The Tenderness And Betrayal Of Magdalene
I couldn't say I was properly introduced to Magdalene, the wording would be equally pretentious and inexact; as a matter of fact, she actually rushed into my studio… She was tired, exhausted, shabby, as if she had come out of the hundred year war. I had worked all
About Drama
Honestly, Corneille bores me. We probably only love him (without believing in him) out of habit. We are forced to. They imposed him on us in school. I cannot stand Schiller. For a long time I thought Marivaux' plays were unserious games. Musset's comedies are thin,
Quotes On Caragiale
The Romanians – at least the townspeople – have a southern nature. Southern liveliness is an energetic reactive that generates buffoonery in truly emphatic forms. Stupidity and vanity, which are latent in a phlegmatic and quiet northern human mass of people, erupt brightly
Daniel Eszralow - Interview, 1999
For the first time ever three American choreographers, Moses Pendleton, David Parsons and Daniel Eszralow will create a novel performance for the Romanian World and Olympic Champions at aerobics. AEROS – a world premiere that will take place in Italy. Physically extremely
Interview With Magdalena Popa
Art critics acclaimed Magdalena Popa: She is one of the most dazzling stars of the century. She was regarded as a goddess of this art. Her small body expressed grace, a sort of ritual noblesse. Born in Bucharest, she graduated from the High School of Choreography and then
Echoes
Aida, March 17, 1920. I waited for it. With the justifiable, feverish impatience you feel before an ideal dream comes true!, wrote the Rampa magazine on March 18, 1920, hailing the opening of the first lyrical season. People liked the cheap, but very beautiful stage design,