Orient

To clarify the unities of place, time and action in this world: here, now and thus, when one can no longer believe in the laws of happening, because this place is not in the now, and this now does not thus give temporality to the here. The present reality of things past

I've always been fascinated by this city. Still, I can understand it doesn't easily translate to others. Here is a list of things one should try to perceive as charming, although - by all standards - they don't qualify as such:1. Filth. It is the quintessential

excerpts It was in 1985 when a young woman who had applied for an emigration visa to West Europe and was not granted it was looking for a master of Oriental practices to get strength and self-protection. She was afraid she might be arrested, and her intention was to acquire,

excerpts NOISES OF THE CAPITAL For reasons I cannot exactly explain, the flow of ideas circulated by the independent press has strikingly dwindled to a mere trickle. One can only put it down to the times of fatigued irritation we are living through as we wait for the much

The oldest recollections of actors of your generation used to begin with the scene of a provincial school festival: the future star winning a well-known, sympathetic audience made up of parents, grandparents, family friends, touched aunts. The memory of past reality is overwhelmed

Architecture represents a means of interrogating history. Rather ominous, it is to be feared, when the question applies to the Romanian capital. Why so? The way Bucharest has been subjected to transformations in the last century accounts for the living changes affecting

A French historian said once that the work you would best like to dedicate your time to is the one that seems to compel you to do so. This is what happens to me right now. Urged by a real passion for knowing the events and forerunners that once lived in this place, I have

The author of the brilliant Ouvert la nuit series seems to be in a state of conflict with some Bucharest dwellers. Out of incontestable affection for our Capital, he tried to picture it as a city portrait for the Western world, and he managed to make enemies out of the very

What is one supposed to understand by image and to what extent should one take it to heart? Physiologically, the image is the consciousness one is left with about an absent object. It is, therefore, the opposite of perception, i. e. representation of a present object. In

Recently Echinox published the translation of Paul Morand's Bucharest (1935), a book that must be put in line with Ulysse de Marsillac's From Pest to Bucharest (1869), F. Damé's Bucharest in 1906, and Dominique Fernandez' Romanian Rhapsody (1998), in

excerpts Chapter III: BUCHAREST-WALLACHIA (…) My advice to the fatigued traveler who arrives in Bucharest is to pay his first visit to the excellent Turkish baths which we were to try ourselves soon. These establishments, mostly situated in the quarter by the Dâmboviţa

Among the foreign writers who passed through or stayed in Bucharest and who, on this occasion, wrote their impressions, is Franz Joseph Sulzer. He was from German Switzerland; he joined the Austrian army and due to his achievements became a captain. In 1776, Sulzer was invited