I No Longer Love Bucharest
I no longer love Bucharest. I'm no longer hoping something can be done about this dump of Europe An interview with Mircea Cărtărescu by Ion Longin Popescu Slowly but surely, the old, historic Bucharest – the little that was left after Ceauşescu's demolishing
Neo-Western Supremacism
Born in Botosani (then part of the Austro-Hungarian Empire) in 1850, Mihai Eminescu is widely regarded as Romania's finest romantic writer, and is recognized as both Romania and Moldova's national poet. Most Romanians can recite line after line of his work, the
L. P.
Athenaeum and CEC Palace on Calea Victoriei We like to refer to the “exterior” whenever we analyze local problems and the present day situation in our country can only prove us right. Starting with the ambition of political Europeanization and ending with the famous
Public Works From The Time Of Carol I. Acts Of Founding And Commemorative Medals By Nicolae Şt. Noica
clockwise from top left (see also What's old in Gallery): The Athenaeum, The National Bank, The Palace of Justice, CEC Bank, Romanian Peasant Museum, Domnita Balasa Church, Gheorghe Lazar School, University (detail). (Lucrări publice din vremea lui Carol I. Acte
Urban Memory: Museums Of The Romanian Capital
1st row: National History Museum, Old Court Museum, Archeology Museum (detail), National Museum of Art2nd row: Collections Museum, Zambaccian Museum, Theodor Aman Museum, Gh. Tattarescu Museum 3rd row: Storck Museum, Romanian Peasant Museum, Astronomical Observatory (detail),
The Past: Plus Quam Perfectum
Bucharest is a city in search of identity. Its precise moment of birth is unknown, for the Cetatea Dîmboviţei of the 14th and 15th centuries only played host to its rulers when they occasionally came to ward off threats from south of the Danube or Hungarian attacks form
The Friend From Abroad
Clockwise from top left: People's House, wood church in Romanian Peasant Museum yard, Opera House, Stavropoleos Church, Athenaeum, Caru cu bere pub. Every time I have to recommend some sightseeing in our town to the friend/ acquaintance/ work colleague coming from
The Vandals' Academy
Bucharest, the city of all filth, all sorts of architectural absurdities, moronic and petty houses, disgusting hotels, stinky pubs… Bucharest full of flies and primitive latrines; Bucharest with no water and few sewers; Bucharest with horse-drawn trams; Bucharest with
A Century Of Our Past And Our European Identity Are Being Destroyed
Armenian Church; St. Joseph's Roman Catholic Cathedral; Stirbey house on Calea Victoriei excerpts from the debate organized by Ileana Foundation for Contemporary Fine Arts and Modern Architecture in Romania, hosted at UNA Gallery on May 12th 2008 Nowadays, the oldest
Bucharest And Its Paradoxes
O Moft! Thou art the watchword and motto of our times. Vast syllable of unbounded content, in thee there is such comfortable room for countless meanings: joys and misfortunes, merit and infamy, guilt and misadventure, right, duty, sentiments, interests, convictions, politics,
La Locura
Como a menudo suele pasar con las obras geniales que van revistiendo sombras y penumbras para luego por su interpretación acabar por adquirir dimensiones colosales y planos infinitos, El ingenioso hidalgo Don Quijote de la Mancha[1],por Cervantes, es objeto de numerosos
El Festival Internacional George Enescu XVIa Edicion, 7-24 De Septiembre De 2003, Bucarest, Rumania
El Festival George Enescu ha llegado a ser en la vida de muchos de nosotros un punto de referencia de mayor importancia. Esperado siempre con impaciencia, nos reúne, nos suscita el sentido estético, nos incita a comparaciones o evaluaciones, nos implica y nos compromete