Pleasure
One might think that all men desire pleasure because they all aim at life (…). Pleasure completes (…) life, which they desire (…). But whether we choose life for the sake of pleasure or pleasure for the sake of life is a question we may dismiss for the present. For
Gastronomic Show
Only there isn't a show without protocol. Only the uneducated imagine that to lay the table and, especially, to have someone for dinner are trifles. When you invite someone to dinner you don't do him a favour. That's why you have to give him the impression
The Story Of Romanian Gastronomy
excerpt With this, we can consider that the era of medieval, traditional cuisine was over and the modern Romanian cuisine begins. In the same year the young Miclescu couple went on their honeymoon – 1880, the first Romanian cookbook with Latin characters was printed.
Woolen Gardens
European travelers such as Antonio Maria del Chiaro were struck long time ago by the uncommon abundance of woolen carpets in each Romanian home, be it aristocratic, bourgeois or peasant. Carpets were laid mainly onto the walls of the rooms, but they also covered the beds,
A Last Judgment That Lacks Heaven
The relevance of iconography for the study of the history of mentalities has been uncontested in the Western cultural space for the last few decades. The seminars organized in Aix-en-Provence on the relationship between iconography and the history of mentalities as far back
The Romanian Death Iconography Or A Different Kind Of Assisted Death
In the field of iconography the rhetoric of the end manifested itself initially as a history of silences, the absence of the motif being possibly equally significant as its presence since, as Michel Vovelle demonstrated, images interest us as expression of a selective, oblique
Romanian Mythology II
excerptsTHE LIFE OF MANDeath. The Signs of DeathDeath is no longer visible to people and dying men no longer are aware of their time like once; still, there exist certain premonitory signs that show one the moment has come to embark upon the journey with no return. Not everybody
From Tradition To Avant-Garde... And From Washington To Dumbrava Sibiului
Corneliu Bucur has been the manager of the ASTRA Museum of Traditional Folk Civilization since 1990. In 1965, he graduated the Babes Bolyai Faculty of History and Philosophy in Cluj. In 1981 he presented his doctoral thesis, with the following theme: Introduction in the
Comments On The Legend Of Master Manole
excerpts1. Participation and RepetitionPerhaps the most significant difference between modern man and archaic man consists in this: for archaic man, a thing or an act acquires significance only in as much as it participates in a prototype, or in as much as it reiterates
A Museum-Synthesis Of The Romanian Ethnological Patrimony
Architect The architecture of a country is, perhaps, the most accurate expression of its history, and nothing can give us a more certain insight into the past and more authentic knowledge of a civilisation. By what it has achieved throughout time, Romanian architecture
A Landmark On The European Map: The Dimitrie Gusti National Village Museum
Historian The National Village Museum in Bucharest is the kind of museum in which the traditional exhibition halls are replaced by authentic households, consisting of dwellings and their extensions, technical devices, churches and triptychs transplanted from their places
The Herbs Under The Cross
Healing plants grow under Christ's cross and out of the blood of our Saviour. People in Germany and Norway believe that the grass of Sânziene (Hypericum) grew roots from the Saviour's blood drops. Other legends tell that the same plant was born from the blood