Opera

I pant, I sink, I tremble, I expire. P. B. Shelley When I stare at a fixed point upon the wall at length, it sometimes happens that I no longer know who I am, nor where I am. On such occasions I experience my lack of identify from afar, as if for a moment I had become a

Beetle legs ran across his face and he woke up. He stretched and got up, threw the tiny insect on the floor and crushed it, still half asleep. Then he looked down over his body searchingly, pleased with the way he could make his arm muscles twitch and jump as he wanted.

It may be said about some cities that they are theatrical; that – in other words – they look like a stage set. Take, for instance, Venice or Naples. It may be only an illusion, however, given a host of plays by Goldoni or Eduardo de Filippo whose plots revolve around

After my first visit to Bucharest, in the mid-eighties, I returned to my native province with a splitting headache; I recounted the details of this anecdote elsewhere* – anyway, they had to do with two mugs of beer and a few mititei – spicy burgers – swallowed on a

excerpts NOISES OF THE CAPITAL For reasons I cannot exactly explain, the flow of ideas circulated by the independent press has strikingly dwindled to a mere trickle. One can only put it down to the times of fatigued irritation we are living through as we wait for the much

The oldest recollections of actors of your generation used to begin with the scene of a provincial school festival: the future star winning a well-known, sympathetic audience made up of parents, grandparents, family friends, touched aunts. The memory of past reality is overwhelmed

Special attention should be given to Elena Văcărescu, whose outstanding personality and whose life contributed greatly to the revival of the Romanian spirit, inherited from her forerunners. Until not long ago, mention was often made of the four Văcărescu poets and the

excerpt …sage citoyen du vaste univers. [1] La Fontaine With you I liked to live through, in the memory, my thirty years of voyages, with you, again, should you not feel bored, I shall live through, in the memory, my childhood and early youth. This will entail returning

Architecture represents a means of interrogating history. Rather ominous, it is to be feared, when the question applies to the Romanian capital. Why so? The way Bucharest has been subjected to transformations in the last century accounts for the living changes affecting

 Bucharest Again It is hard to explain the emergence of a language and the birth of a nation – they seem to be part of a mystery. All of a sudden, history records, in some part of the world, an unknown nation and a new language, probably derived and related, but new.

If you read travel notes by simple tourists or people on journalistic, cultural or political assignments, from the 1920s or 30s, if you peruse recurrent images about a Bucharest imprinted with evil or good charms, equally decrypted and encoded, moving and repulsive, you

In the heart of Romania's Capital stands the monumental building of the Romanian Athenaeum, the symbolic edifice of the most significant musical events ever since 1889 and, at the same time, the cradle of the International George Enescu Festival. There is no musical