Odeon

The forms of modern dance, present but not officially supported before 1990, appeared and survived due to the love for them of several choreographers and dancers who used to have the occasional show on various theatre stages. Their importance has been growing since the above

Origins. In Experimentalism in Romanian Choreographic Art between the 60's and the 90's, published in 1997, Liana Tugearu made the following remarks: After a very short period of storing and decanting, a few young dancers broke away from the established companies

The recent premiere presented by the Center for Artistic Expression of the Odeon Theater, Not Me and Solo, from Samuel Beckett, is a dance show by Raluca Ianegic, and it proves that choreography has indeed found in Beckett a good companion in ideas, as his work corresponds

I am thinking first of all of what we can do ourselves. Through the program I am coordinating, initiated by Alexandru Dabija and energetically supported by Mrs. Dorina Lazăr, I intend to bring to the public's attention the situation of dance in Romania, be it classical,

The Lumière Brothers' toy, perfected year after year, challenges Thalia and Melpomene and the people of Bucharest take cinemas by storm. Businessmen are quick in smelling money, and thus many individuals whose energy used to be spent at the haberdasher's or on

listen to Georges Boulanger playing Gypsy Serenade click here to read more At the beginning of the 20th century, the Danube Delta was a cradle of violinists born in the towns on the land (Sulina, Tulcea) that the great river crosses just before opening its arms, as if