Odeon

În datele de 5, 6 și 7 septembrie, la ora 21, Teatrul Odeon din București va susține la Paris trei reprezentații cu spectacolul 5 piese scurte de Eugen Ionescu, în sala Teatrului Huchette (23, rue de la Huchette 75005 Paris, metrou St Michel). Teatrul Huchette este

Festivalul Filmului European, organizat de Institutul Cultural Român, revine la Chișinău în pragul alegerilor europarlamentare, ca semn de recunoaștere a unei noi etape a parcursului european al Republicii Moldova, după istorica decizie din 2023 de a începe negocierile de

Festivalul Internațional de Film de la Sofia (SIFF), în parteneriat cu Institutul Cultural Român, prezintă cinci producții cinematografice românești la cea de-a 28-a ediție a SIFF, care se va desfășura în capitala Bulgariei, dar și în Plovdiv, Burgas

Volumul Dragă Cioran: cronica unei prietenii, scris de Alina Diaconu, tradus din limba spaniolă de Gabriela Banu, cu un Cuvânt înainte de Eugen Simion, se găsește, zilele acestea, la standul Editurii ICR, în cadrul celei de-a XXVI-a ediții a Târgului Internaţional

Spectacolul „Sunt un orb” al marelui actor Horațiu Mălăele va fi prezentat vineri, 18 octombrie, comunității românilor din New York în spațiul de teatru-studio al Institutului Cultural Român, amenajat la începutul anului 2019. Conceput sub forma unui monolog

Clockwise from top left: Revolution Square, Maniu statue, Coposu bust, Hilton Athenee Palace, Kretzulescu Church, University Library, Ataturk bust, Carol I equestrian statue. Post-revolutionary administrators of the capital city have managed to turn the birth place of the

It may be said about some cities that they are theatrical; that – in other words – they look like a stage set. Take, for instance, Venice or Naples. It may be only an illusion, however, given a host of plays by Goldoni or Eduardo de Filippo whose plots revolve around

Ever since the mid-18th century, the city off the Dâmboviţa banks has enjoyed a particular sentimental popularity, not only from the point of view of its merry, party-loving, enterprising inhabitants, but also in the memory of tourists, who christened Romania's Capital

The only self-relying public dance company in Romania, the Oleg Danovski Ballet Theater carries out an extremely complex and sustained activity mirrored in the diversity of its productions and projects. In 1999 the company opened its gates to the personalities of the Romanian

Contemporary dance choreographers work on gestures. They do not necessarily have to be beautiful or interesting, but simply natural. Every single emotion expressed. The dancer always performs something, interprets something, lives that moment either through gesture, movement

None of the totalitarian regimes of this century had any particular liking for the modern art trends and made them eventually disappear from the area controlled by them. Too free a manifestation of one's personality meant escaping their power. In Nazi Germany just as

The forms of modern dance, present but not officially supported before 1990, appeared and survived due to the love for them of several choreographers and dancers who used to have the occasional show on various theatre stages. Their importance has been growing since the above