Delight In Barbu Slătineanu's House
After six years' work in the Sanitary Technical School I was admitted to the History of Art Institute. I was a researcher and I wasn't yet allowed to research the monuments of our medieval art I was so attracted to. Going through the pages of the history magazines
The Eternal Return
An interior made for appearance, fitting the extravagance of some poems In the beginning, gazing at the photos, I stood in the doorway and had the feeling of entering a house deserted by its owners, where I was left with the secret of its nature hidden inside the still
The Slătineanu Comparative Art Collection - An Extinct Art Museum
1947. The year of the most despotic deeds of the communist regime come to power in the shadow of the Soviet tanks. The ordeal of the Romanian intellectual elites (and not only) begins. The Slătineanu family find themselves treated like common criminals. The whole family
Barbu Slătineanu, A Lover Of Beauty And A Victim Of Bolshevism
Member of the Academy Barbu Slătineanu was one of those people that draw your attention at first sight. The first time I met him was by chance: I was a doctor and I went to see his brother-in-law, Playno, who lived in the same house on Obedenaru street. Ever since, I considered
Master Barbu And Slătineanu House
The chance passers-by through the quiet Cotroceni neighbourhood could discover, at the end of a well tended garden, a two-storey house with no other adornment than its iron-wrought latticework. What was strange was that leaning against the wall separating it from the house
The Collector Hrandt Avakian
The inauguration of the art collection Beatrice and Hrandt Avakian, held on a torrid day in August 1974, brought together an extremely numerous public. The exceptional interest manifested was owed to the fact that two siblings living in modest conditions, from hand to mouth,
The Beatrice And Hrandt Avakian Collection
22 Spătarului Street, Bucharest (see also in Romanian with illustration) The siblings Béatrice and Hrandt Avakian set up their collections independently, nevertheless evincing a shared predilection towards Eastern art, to be accounted for among others, perhaps, by the
The Professor Garabet Avachian Collection
(see also in Romanian with illustration) Garabet (Garbis) Avachian (1907-1967) was an eminent violin professor with the Ciprian Porumbescu Conservatoire in Bucharest; among his students may be counted several laureates of international contests. This talented musician undoubtedly
The Birth Of A Museum In Memoirs And Documents
The Eng. Dumitru Minovici Museum of Ancient Western Art at 3 Nicolae Minovici St. in Bucharest was born in June 1945 as a result of the donation made by Dumitru Minovici to the Romanian Academy. It is the only museum of the Romanian Academy in Bucharest. We will first present
The Mina Minovici Museum
Mina Minovici Museum, 3 Nicolae Minovici St. In 1936, Dr Nicolae Minovoci donates to the city of Bucharest his villa in Romanian folk style built in 1905 following the designs of architect Cristofi Cerchez, as well as his entire collection of folk art: costumes from the
Virgil Cioflec
Virgil Cioflec, later to become a writer and a collector, stands out amongst the moral and financial supporters of the initiators and founders of Artistic Youth Society (December 1901). With some of its founders, Gheorghe Petraşcu, Ştefan Popescu, Kimon Loghi, Ipolit Strâmbulescu
Anastasie Simu
Simu Museum A conservative MP in the 1888, 1891 and 1899 parliament sessions, Anastasie Simu finally became tired of the Machiavellian political life in Romania at the end of the 19th century; realising he had no prospects to achieve momentous social and cultural events