Editor's Note
To carry out a veracious analysis of a people's psychology is a utopian thought, and the multiple risks involved in making estimates and commentaries on the specificity of a still maturing nation become unavoidable. Each individual is a small, but unique and unrepeatable
The Music Look
Alexandru Ţipoia (1914, Snagov, Romania – 1993, Geneva, Switzerland) is a rather less known painter even in Romania. This basically because of his pertaining to a limited category of artists whose career started in the most troubled years of World War II. Moreover, he
Berlioz - Between Passionate And Fantastic
The works of Hector Berlioz have in good justice been reputed to occasion most spectacular renderings, as the French romantic was a creator of inexhaustible fantasy and multiple resources. The title Symphonie fantastique on a bill could spell either a risk or a professional
The Master Of Romanian First Auditions
There is a hidden passion in revealing the Romanian first absolute auditions that characterize conductor Horia Andreescu, the artisan of some essential scores of autochthonous contemporary symphonism. Besides the unknown Symphony No. 5 by George Enescu, discovered, re-orchestrated
The Head Of The Orchestra
I think the idea of a head of the orchestra arose two and a half centuries ago, as a result of the activity of the Mannheimer Circle, who had invented acoustic dynamics: the game of intensity, as a component of the agogic, a quite unproductive term for most of the music
Speech Read On The Radio And Published In August 1970
A few days back, a shattering piece of news darkened our souls and filled our eyes with tears: the heart of the great Romanian musician Ionel Perlea has stopped. Unable to contain this terrible pain, our memory revisited in one instant the unique days he gave us in that
A Hero Without His Right Wing
Far from his country, across the ocean, in 1957, while he conducted Beethoven's Ninth Symphony in New York, conductor Ionel Perlea had a heart attack. He had the courage and most of all the strength to go on conducting until he finished the Ode to Joy, after which he
Echoes
On 20 November 1921 an enthusiastic letter written by the poet Cincinat Pavelescu is published in Rampa, a letter which we see fit to transcribe in full: Dear Mr. Editor in Chief, My life's absorbing activities of incessant work at the head of a newspaper without any
Conductors And Directors
Now and then, some people group together to form a team. They do it in order to set up a company, to enact a play, or to make music. They can manage by themselves as long as a family business, a play with quite a few characters or an evening of chamber music is concerned.
Echoes: Excerpts From The Farewell Concert
In an obituary published in the Tages Anzeiger of Zurich, Mario Gerteis draws a suggestive portrait of Celibidache in his youth. A nervous fiery ball, halfway between histrionics and insight, between passion and obsession. His dark locks hanging over his face in disorder,
The Last Saint Of Music
Among all 20th-century great Romanian conductors, indubitably the most extravagant, original, paradoxical maestro of the baton remained Sergiu Celibidache. Perhaps only Herbert von Karajan enjoyed the status of absolute star during his life time as the Romanian conductor
Editor's Note
The idea of this anthology has been haunting me for a long time. Respect, fear, admiration, even fascination made me postpone incessantly such an attractive project. What would be the framework? How would so many strong personalities, volcanic tempers cohabit between the