Nationalism

To the Romanian state, the end of World War I and the new European order brought about by the Treaty of Versailles had the significance of a major event, perceived as a culmination of Romanian existence. According to the principle of self-determination, Romania, now Greater,

The programmatic article of THE NEW TREND, 1906excerpts …To start a war against foreign culture because we, in our barbarity, have taken the bad parts from it, is – an exaggerated but suggestive comparison – to do like mulattos in Liberia, were they, disgusted by

At the beginning of the '20s, fascism represented the newest and the most catching political phenomenon. Nevertheless, it failed to be a roaring success everywhere and especially at the very beginning. In Romania, the obsession of being permanently synchronized with

excerpt After the year when its first program was launched, namely Mircea Eliade's Spiritual Itinerary, the generation of '27 (or the young generation, the generation of the '30s, the generation that lived life for life's sake, the experiential and Orthodox

In the two decades between the world wars the majority of Romanian intellectuals were engaged in a grand debate about what it meant to be Romanian and how national character determined social and political development. [1] The ideological commitments of the protagonists

Just like all the other peoples, when they don't hate them outright, many Romanians have less than a high opinion of their neighbors: Bulgarians are seen as coarse – but resourceful – vegetable growers, Hungarians – as bloodthirsty (but proud, hardworking, reliable)

For the Romanian cultural psyche, the interwar period still appears, after so many decades of indefatigable exegesis, as a real, alluring and embarrassing hortus conclusus, a closed garden of paradisiacal, yet so venomous intellectual flourishing. Major cultural achievements

ArgumentWOLFGANG ISER – Culture: a recursive process CHRISTIAN MORARU – Cultural Studies Goes Global CĂLIN-ANDREI MIHĂILESCU – Unpacking knowledge JAN GORAK – Johnson on Shakespeare: The Use and Value of Spectatorship ANCA BĂICOIANU – Here, There, and Everywhere: