Musica

Urmuz, The Solitary

excerptsLet us begin with on obvious fact – Urmuz is a myth, is he not? Useless like all myths, functioning due to inertia, the coronation of certain clichés. Who reads Urmuz these days? Urmuz was the object of critical studies, his work has been translated, and his name

Urmuz - A Great Innovator In Spite Of Himself (Urmuz And Anti-Literature As Hyper-Life)

1. His parents christened him Dimitrie, but he knew the appropriate name for himself, so he changed it to Demetru. He had said this himself, people should find names for themselves in tune with their own personal reality, or they should change themselves, while that is still

The Fuchsiad. An Heroic-Erotic Musical Poem In Prose

IFuchs wasn't quite born by his mother… In the beginning, when he came into being, he wasn't even seen, he was only heard, for Fuchs, upon being born, chose to come out through one of his grandmother's ears, his mother having no musical ear to speak of…Fuchs

The Fuchsiad. A Heroic, Erotic And Musical Poem In Prose

I Fuchs was not born by his real mother… At the beginning, when he came into being, he was not even seen, but only heard, because when Fuchs was born he preferred coming out through one of his grandmother's ears, as his own mother did not have an ear for music…

Algazy & Grummer

* Algazy is a nice old man with a toothless smile, his beard shaven and silky, neatly laid out on a grill that is screwed under his chin and surrounded by barbed wire… Algazy does not speak any European languages… but if you wait for him first thing in the morning and

Algazy & Grummer

[1]Algazy is an old, loveable, toothless, smiling old man; his beard is shaven and silky, beautifully displayed on a grid, screwed up under his chin and enclosed with barbed wire… Algazy does not speak any European language… If you wait for him, however, at dawn, when

The Dance - Part Of An Itinerary

Choreographer The arts are long voyages of the spiritual in the material reality, unleashing the imaginary, freeing the phantasms, exploiting the miracle of representation. Without being as rich as the other artistic branches in events meant to shape its history, the dance

Non-Chronological Travel Notes (September 1979 - March 1980)

excerpts30th September When I get on the tram, in Zurich, I cross myself. To whom? Not to the tram, of course, but to the Power that gave some people (engineers, technicians, workers) the ability to create such public means of transportation: and to others (the passengers)

Vienna

All roads to the West go through Vienna. Generous crossroads where the western world fuses with the horizons of eastern Europe and the Germanic spirit seems to have rich confluences with Latinity, the old Austrian metropolis still conveys the same charm that those claras

The Chronicle And Song Of The Ages

excerptThat afternoon we took a train to Constanta where, the same evening, we planned to embark on a Romanian ship bound to Constantinople. We arrived in Constanta late at night, so we didn't get to see any of the city or port. All I remember is the very agitated sea.

From Bucovina To New Zealand, Or Destined To Three Countries

When I set out to New Zealand, I had a tape recorder and a tape with the bells from Putna monastery. And during the long flight, from Bucharest to Wellington – approximately 30 hours on the plane, plus two stopovers – I would listen to the bells from Putna and to the

Journey Into The Unknown

For centuries now, every once in three years, The Feast of Immortality – Kumbh Mela, takes place alternatively in four Indian centers : Allahabad and Hardwar (Uttar Pradesh state), Ujjain (Madhya Pradesh) and Nasik (Maharashtra). Descending from Vedic mythology, the feast